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雜談: William Theodore de Bary狄培理《中國的自由傳統The Liberal Tradition in China 》(1983 )

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錢穆講座(中文大學)
1982
狄百瑞教授
美國哥倫比亞大學
書:
The Liberal Tradition in China (Chinese University of Hong Kong Press, 1983)
《中國的自由傳統The Liberal Tradition in China 》(1983 )
底下掃描1983本,研究一下,很有意思。
金耀基的〈迎狄百瑞先生來新亞書院講學〉1982.1
可知將 William Theodore de Bary稱為"狄百瑞",是金先生使用的(他甚至知道另一中文名字培理...... )
另外,書名和章名似乎改變很多。
The Liberal Tradition in China書中將LIBERAL EDUCATION翻譯成自由教育,就與眾不同。
各百科都有些錯誤,如Wikipedia

狄培理相關的題材出書多:
  • Message of the mind in Neo-Confucianism (CUP, 1989)
  • Neo-Confucian Education: the Formative Stage (University of California Press, 1989)
Learning for One's Self: Essays on the Individual in Neo-Confucian Thought (CUP, 1991)

Waiting for the Dawn: a Plan for the Prince (1993)
相關專家說法比較,可能有用,譬如說珠子的教育論/行陳榮捷《朱熹》臺北:東大圖書公司,1990/2003,
















狄培理(舊譯為“狄百瑞”)(William Theodore de Bary ,1919年8月9日 [1]  —2017年7月14日 [2]  ),美國哥倫比亞大學東亞語言與文化系教授,海外研究中國思想的著名學者。 [3]  主要著作有:《高貴與文明》(2004),《亞洲價值與人權》(1998),《為己之學》(1991),《東亞文明:五個階段的對話》(1988), 《中國的自由傳統》(1983),編寫了影響廣泛的《中國傳統資料選編》。......
狄培理2016年6月獲得第二屆唐獎漢學獎,在與唐獎基金會聯繫時,特別表達希望藉此機會,向華人社會“正名”。原來“培理”二字,是他年輕時造訪燕京大學(今北京大學前身)時,由國學大師錢穆所取,具有深刻的意涵。清大榮休講座教授李弘祺,是“正名”事件的關鍵推手。他接受中央社採訪時解釋,1982年時,他還是年輕教員,因和狄培理有過幾次信件來往,香港新亞書院邀請狄培理擔任“錢穆講座”,院長金耀基便請教他如何翻譯de Bary的中文名字。 [10-11] 李弘祺表示,他當時不知道狄培理有沒有專用的中文名,於是採用一位台大學者的翻譯,此人專門研究儒學,就這樣把名字定下來了,並沒有特別去確認。 [10] 後來香港中文大學出版狄培理的演講集《中國的自由傳統》,由李弘祺掛名翻譯,就是使用“狄百瑞”這個名字。這本書在學界非常有名,卻也因此加強了“狄百瑞”的流傳。 [10] 直到1991年,李弘祺從香港應聘到美國紐約市立大學任教,離哥倫比亞大學很近,狄培理邀請他參加研討課,才從本人口中得知,狄百瑞其實應是“狄培理”,且是出自錢穆的手筆。 [10-11] 李弘祺表示,“狄百瑞”之名當然也很好,富有長壽百命的意思,但“狄培理”意義更為深遠。狄培理當初到北京時,已對明末思想家黃宗羲有高度興趣,錢穆用de Bary譯音取名,選擇宋明理學中的重要觀念“理”和“培”,正是對狄培理的鼓勵和嘉勉。 [10] 李弘祺知道翻譯上的錯失後,寫文章時都會使用“狄培理”,並多次跟人私下談起這個名字,卻一直沒有在正式場合來訂正。這次唐獎的機會非常難得,心想一定要說明清楚,才聯絡狄培理的代表、哥倫比亞大學教授鄭義靜,以及中央大學教授楊自平等人,一同和唐獎基金會說分明。 [10] 學術成就編輯除了在教育行政上的貢獻外,狄百瑞教授的學術成就亦廣被承認。 [6]  他先後在1974年和1999年獲選為美國文理學院和美國哲學會院士,並獲得聖勞倫斯大學芝加哥羅耀拉大學哥倫比亞大學的榮譽博士學位,而他所獲得的獎項,則包括美國歷史協會華圖莫爾獎、教育出版社聯會費斯本獎、哥倫比亞大學傑出教師獎、哥倫比亞學院約翰·傑伊獎、哥倫比亞大學萊納·屈林書籍獎和範多倫獎、譚能邦紀念獎、漢密爾頓獎(兩屆)以及旭日三等勳章等。 [6] 研究興趣編輯狄百瑞教授的研究興趣是東亞宗教和思想傳統,尤其是中國日本韓國儒學 [6]  他把新儒學研究引入美國,提倡一種對亞洲在通識和核心課程中的位置的全新構想。他撰寫和編輯的超過二十五部著作裡,主要處理中國的民間社會等問題。 [6] 





表演藝術圖書館

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國家兩廳院表演藝術圖書館原隸屬於兩廳院企劃組,民國八十年十月一日以任務編組方式成為獨立之圖書室,八十一年十二月二十日,「國立中正文化中心暫行組織規程」生效,圖書室列入正式組織系統,八十二年三月正式開放提供服務。九十五年一月更名為表演藝術圖書館。 本館以建立專業表演藝術資訊中心為發展目標,館內典藏了音樂、戲劇、舞蹈、舞台、劇院管理等主題資料,其中,由兩廳院主辦節目的海報、節目單、錄影 帶及數位光碟更是圖書館的特藏,此外,於九十八年獲得樂評家曹永坤先生遺贈音樂視聽資料,更建置了七萬餘件經典黑膠唱片及古典CD唱片,使館藏更趨多元。 本館並建置多種數位資料庫,提供民眾網路查詢使用,如「兩廳院數位博物館」,數位博物館包含【數位典藏】─數位文物(海報、劇照、節目單、數位影音、表演藝術期刊目次資料庫、表演藝術剪報資料庫)、數位出版(表演藝術雜誌與年鑑電子版)、【節目資料庫】及【數位展覽】。

蔣勳

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關於朋友
0. 我沒能認識蔣勳,他出版的書文,也讀得不多。然而,細心讀,至少有好幾種蔣勳,有的令人動情,譬如在東海的老師宿舍與其師陳映真喝酒,為老師的展覽"複製"文物(只指出一端)......。
中國有人指出其文章軟傷處多。台灣有朋友將他"一筆勾銷",這也許以偏概全。
李敖死前,希望敵人出來"和解"。好像沒人理他。

忙完池上穀倉臺靜農老師紀念展,臥病在家靜養一週,隨意瀏覽手機裡最後離開東部前一天看到的雲。
雲從山壑低處沿著稜線向山峰高處攀爬。山脈廣大厚實,像盤古在遠遠的神話時代倒下來不再動的軀體。倒下來了,左眼為日,右眼爲月,骨骼都成堅硬聳峻孤傲的高山,肌肉化作田野土壤,血脈流成滔滔奔去四方的江河溪川,毛髮蔓延成森林草原。
在盤古倒下的故事,我總覺得想要添加一個結尾,他最後呼吸的一口氣,化作了一綹一綹雲嵐,努力沿著山坡往上攀爬,一直高高升上了天空。
那時候,最後的呼吸,還會有人間的惦念嗎?那時候,高升在天上的雲,還會想回頭再看一眼自己軀體幻化的山河大地叢林草原嗎?從低卑處開始,因此總有低卑的掛念,飛升到天空的高度,也才還能回頭看更廣大更遼闊更紛紜的人世風景吧⋯⋯。
沒有讚許,沒有貶抑,沒有愛,沒有憎,沒有眷戀,沒有捨離,從低到高,雲都在學習自由。
圖像裡可能有山、雲、天空、戶外和大自然

井原西鶴 Ihara Saikaku 井原西鶴選集:日本致富寶鑑 、家計貴在精心;『好色一代男』《好色一代女》

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  • 井原西鶴選集

    [日]井原西鶴/ 錢稻孫/ 上海書店出版社/ 2011-8 / 22.00元
    日本江戶時代著名市井小說家——井原西鶴與周作人齊名的日本古典文學翻譯家——錢稻孫日本文學翻譯史上的經典“浮世草子”的傳世譯本本書包括日本江戶時.. .

  • 內容簡介  · · · · · ·

    作者簡介  · · · · · ·

    作者井原西鶴(1642-1693),本名平山藤五,日本江戶時代小說家,俳諧詩人,與同時代的近松門左衛門、松尾芭蕉並稱為“元祿三文豪”。十五歲開始學俳諧,師事談林派的西山宗因。四十一歲寫出艷情小說《好色一代男》,被認為是日本文學史上“浮世草子”(社會小說)的起點。創作大量描寫町人(工商業者)社會現實生活與風俗人情的“町人物”。文風受俳諧語言影響較深,以簡潔、精練為特色;表現在敘事風格上,機鋒敏捷,話題轉換靈活,如行雲流水,酣暢恣肆。
    譯者錢稻孫(1887-1966),中國現代文學史上與周作人齊名的日本古典文學翻譯大家。涉獵音樂、戲劇、美術、醫學,精通日、意、德、法文;文采與譯才兼修,文學素養深厚。譯有《萬葉集精選》、近松門左衛門的淨琉璃劇本、井原西鶴的小說、日本民族音樂學家林謙三的《東亞樂器考》、導演黑澤明的電影劇本《羅生門》等書,著有多篇有關...

    目錄  · · · · · ·

    序文潔若
    日本致富寶鑑
    家計貴在精心


    • 能夠立足在善惡二途的中間,把當今這直道盛世的日子坦蕩盪地度將過去,才是人之所以為人之道,也就不是個尋尋常常的人了。查看原文 )
       Lynnym 2贊 2012-05-09 23:04:48
      —— 引自第3頁
    • 天道不言,而惠深國土;人則雖有其真實,而虛偽殊多。蓋其心本屬虛空,隨物遷變,了無痕跡。因此,能夠立足在善惡兩途的中間,把當今這直道盛世的日子坦蕩盪地度將過去,才是人之所以為人之道,也就不是個尋尋常常的人了。一生的唯一大事,就在營生度日;士農工商自不待言,甚至出家的和尚、廟祝神官,也無不須聽從節儉大明神的電話,積攢金銀。這乃是生身父母之外的衣食父母。查看原文 )
       安公子 2012-06-09 15:24:33
      —— 引自第3頁
    • 且不談日本,大膽投資於唐土,雖則看不准前途,可是唐人講究信義不食諾言,綢緞匹頭,表裡一色,藥材不摻假。木是木,金是金,多少年也沒個變。貪詐唯日本,縫衣針越來越短,布匹面兒越來越窄,紙傘不上油,惟偷工減料是務;貨一出門,不管退換。查看原文 )
       N. 2012-07-11 15:57:27
      —— 引自第65頁
    • 古人有云:"居家益有梅櫻松楓。"此人卻篤信,不如有金銀錢米。在他看來,庭院假山不比內院堆房有景緻。四時按節的屯藏,這才稱得喜見城。查看原文 )
       Ms.A撲柔 2013-03-20 15:22:03
      —— 引自第7頁
    • 可是唐人講究信義不食諾言,綢緞匹頭,表裡一色,藥材不摻假。木是木,金是金,多少年也沒個變。貪詐唯日本,縫衣針越來越短,布匹面兒越來越窄,紙傘不上油,惟偷工減料是務;貨一出門,不管退換。查看原文 )
       Sea~Moon 2回复 1贊 2012-01-12 18:15:40
      —— 引自第65頁


    井原西鶴 Ihara Saikaku 『好色一代男』北京:中國電影,2004
    好色一代男日井原西鹤王启元李正伦中国电影出版社》

    內容簡介  · · · · · ·

    作者簡介  · · · · · ·

    井原西鶴以其縱橫的才華,通過一個男人繚亂的一生,反映了日本江戶時代商人、平民和妓女的真實生活。被譽為江戶時代的《源氏物語》。

    目錄  · · · · · ·

    卷一
    1燈火熄滅戀情生
    2不好意思只好用書信
    3不讓人看到的部位
    4幸而陣雨打濕衣袖
    5了解身世才相知
    6粗俗的澡堂妓女
    7原是皇族府邸女傭人
    卷二
    1陋室的被褥
    2斷發未段情
    3出乎意料的女人
    4誓文上的朱印
    5旅行中的一時衝動
    6必須出家
    7陋巷破屋為住處
    卷三
    1戀情的預付金
    2小倉海岸的賣魚女
    3必定是討來穿的衣服
    4一夜忘形之歡
    5各種開銷超過五目
    6妓女的布棉襖也是租來的
    7做盡荒唐事
    卷四
    1因果報應過關難
    2成為死別紀念的黃楊木梳
    3睡夢中的刀光劍影
    4與眾不同的男妓
    5形形色色的幽會機關
    6空飽眼福
    7漁家女的情慾
    卷五
    1名妓吉野
    2想吃的干年糕片
    3多情妓女的品格
    4捨命的水晶球
    5偽裝興隆的妓院
    6不識當代風流士的蠢妓女
    7正在此時出虛恭
    卷六
    1袖中蜜橘傳情
    2會情人何懼火燒身
    3忠誠盒中妓女情
    4選擇菜餚以驅除睡意
    5遠眺身著盛裝的妓女
    6美妓的送別禮品
    7寫有和歌的漂亮紙外衣
    卷七
    1容貌如初昔
    2幫閒們縱情遊樂
    3貪得無厭的妓女
    4一百二十里以外敬情酒
    5多情的日記
    6多情女子癡情漢
    7新町的夜景,島原的晨曦
    卷八
    1舒舒服服睡覺的車
    2情的賭注
    3酒未足而前往戀鄉
    4京都美女偶人
    5閨房催欲具
    ---

    好色一代女

    作者:   [日]井原西鶴
    出版社:中國電影出版社譯者 : 王啟元 / 李正倫出版年: 2004-2-1 頁數: 180 定價: 35.00

    內容簡介  · · · · · ·

    作者簡介  · · · · · ·

    井原西鶴(1642-1693),本名平山藤五,日本江戶時代小說家,俳諧詩人,與同時代的近松門左衛門、松尾芭蕉並稱為“元祿三文豪”。十五歲開始學俳諧,師事談林派的西山宗因。四十一歲寫出艷情小說《好色一代男》,被認為是日本文學史上“浮世草子”(社會小說)的起點。創作大量描寫町人(工商業者)社會現實生活與風俗人情的“町人物”。文風受俳諧語言影響較深,以簡潔、精練為特色;表現在敘事風格上,機鋒敏捷,話題轉換靈活,如行雲流水,酣暢恣肆。

    目錄  · · · · · ·

    卷一
    一老婦的棲身之家
    二歌舞與陪酒侍宴
    三諸侯的艷妾
    四蕩婦的豐姿
    卷二
    一中等妓女
    二花柳街的下等妓女
    三和尚的姘頭
    四教禮節和習字的女先生
    卷三
    一町人之家的妓女
    二禍水之源的美女
    三歌船上的賣笑生涯
    四富貴之家的梳頭工
    卷四
    一崇尚奢侈的嫁娶
    二衣袖上的香艷水墨畫
    三大公館裡好色的老雜工
    四願來世託生男人的老嫗
    卷五
    一石垣町茶館裡身價大跌
    二澡塘的挫澡女
    三扇子舖的一段姻緣
    四藏污納垢的批髮店
    卷六
    一暗娼是白晝的怪物
    二旅店裡敲旅客竹槓
    三路旁拉客的暗娼
    四五百羅漢的啟示
    好色五女人
    卷一姬路的美男子清十郎的故事
    一愛戀使暗夜成白晝
    二暗縫帶子裡出現的情書
    三大鼓聲中的舞獅
    四把信匣忘在驛站的信差
    五人頭落地後才知銀未失
    卷二情深義重的桶匠
    一桶匠為戀情而煩惱
    二老婦人慌稱遇見怪物
    三藉口京都拜神,永結百年之好
    四桶匠宿願克遂
    五醋海狂瀾致使兩人負罪身亡
    卷三曆書鋪子的故事
    一品頭論足評點美人
    二代寫情書鑄成大錯
    三假裝投海自盡
    四途中遇險,夢中神示仍不語
    五分身已露罪有應得
    卷四青菜店老闆家的故事
    一大年除夕的煩惱
    二情深義重無懼春雷
    三情侶雪夜相會
    四過早凋零的櫻花
    五風流少年頓成和尚
    卷五源五兵衛的故事
    一合奏竹笛聲悲切
    二生命短暫的捕鳥少年
    三愛男色者頓失兩位美少年
    四彼此感情截然不同
    五錢多了反倒為難
    譯後者
    · · · · · ·

    原文摘錄· · · · · ·  全部 )

    • 外表首先遜人一等的是八橋的阿吉她真像河邊小戲園子裡演能劇時戴的“千歲翁”假面那位從京城來的下玉平常總是一副睡眼惺忪的樣子不過長相耐看可比作難波禦堂的海棠因為唐書中曾用“海棠睡未足”形容楊貴妃的嬌容最見不得人的要數金平的阿初患了梅毒的她滿身暗瘡多得就像高津的涼茶屋外號喚作貓的阿凜目光就像挑在竹竿上的燈籠半夜裡閃閃發光實乃曠世之寶那個頭髮捲曲人稱“釋迦頭”的久米別看事前歡聲笑語地陪伴左右事後卻無緣無故地對你不理不睬就像坐摩神社舉行驅魔辟邪儀式用的彩車只熱鬧一陣子“德利阿曼”跟男人睡覺時總是哭哭啼啼的像極了今宮神社的松樹上的烏鴉“越後鍋"的夢話沒完沒了就像道久讀的《太平記》一樣無滋無味外號”假紫”的阿冊表面上小鳥依人乖巧順從可常常死纏爛打地逼客人買各種小玩意就像谷町 玉木町的觀音堂的藤花瑣瑣碎碎地掛滿枝頭合力的阿旬最叫人愛不釋手念念不忘的是她的舊和服裡子掀開一看背面羅列著密密麻麻們的人名乍一看還以為是每年正月舉辦謠曲大會時發的通知單小吉綽號叫“鱷嘴”她的口氣和貧民窟長町西頭的垃圾堆一樣惡臭難聞( 查看原文 )
       王硯之 1贊 2015-10-09 18:40:21


      —— 引自章節:卷五
    • 如今的海路,風清以時,行舟者善觀風色,西國的一尺八寸的笠帽雲,二天之前就可預測;掌握之穩,萬無一失。但叫有船走遠海,一日駛百里,十日走千里,萬事都能隨心所欲。所以大商人的氣魄,就好比渡大海的船舶一般,不一腳跳過自家門前的瀨戶內海,渡到長崎看看,便無從聽到招財小槌敲響天秤。一輩子在天秤盤裡打旋,不知世界之廣的人,才叫冤呢!且不談日本,大膽投資於唐土,雖則看不準前途,可是唐人講究信義不食諾言,綢緞匹頭,表裡一色,藥材不摻假。木是木,金是金,多少年也沒個變。貪詐唯日本,縫衣針越來越短,布匹面兒越來越窄,紙傘不上油,唯偷工減料是務;貨一出門,不管退換。大雨淋不到自身,雖父母也任其赤足,空口搭白是不肯通融的。查看原文 )

    ***

    【#人與書國際週報】012:初讀井原西鶴 Ihara Saikaku 及其『好色五人女』Five women who loved love 好色餘情











    狄培理 原文名 William Theodore de Bary 1919~2017

    Five Women who Loved Love (Tuttle, 1956)好色五人女,很好看


    「麗君坊」小小書展3.0

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    我們的出版隊也是名列前茅,裝幀講究,訂價便宜,振興券一千救書市,三千救自己。
    6月3日下午4:01
     
    各位朋友午安,連續幾日放晴,除了出門曬曬日光、活動筋骨,也別忘記曬曬書囉!「麗君坊」小小書展3.0在此,跟所有愛書的朋友們一同分享我這段時間買的書單和私房讀書筆記,大家認得出來這是我讀哪本書做的筆記嗎?
    01. Louisa Lim,廖珮杏譯,《重返天安門:在失憶的人民共和國,追尋六四的歷史真相》(八旗文化)
    02. 朱和之,《風神的玩笑:無鄉歌者江文也》(印刻)
    03. 杜晉軒,《血統的原罪:被遺忘的白色恐怖東南亞受難者》(台灣商務)
    04. 陳昌遠,《工作記事》(逗點文創結社)
    05. 游書珣,《大象班兒子,綿羊班女兒》(黑眼睛文化)
    06. 潘小俠,《臺灣作家一百年》(讀冊文化)
    07. 蔣亞妮,《我跟你說你不要跟別人說》(悅知文化)
    08. 陳又津,《我媽的寶就是我:一個女兒寫下對母親的驕傲愛意》(悅知文化)
    09. 周芬伶,《雨客與花客》(印刻)
    10. 亞榮隆.薩可努,《山豬‧飛鼠‧撒可努﹝新版﹞:飛鼠大學招生囉!》(耶魯)
    11. 咖哩東,《漫畫李梅樹:清水祖師廟緣起》(遠足文化)
    12. 地理角團隊,《尋找台灣味:東南亞 x 台灣兩地的農業記事》(左岸文化)
    13. 李筱涵,《貓蕨漫生掌紋》(有鹿文化)
    14. 栗光,《潛水時不要講話》(麥田)
    15. 劉靜娟,《驚驚袂著等:劉靜娟的台語時間》(玉山社)
    16. 傅素春,《我想我吃冰淇淋會好》(松鼠文化)
    17. 張貴興,《猴杯》(聯經)
    18. 馬家輝,《鴛鴦六七四》(新經典文化)
    19. 阿尼默,《小輓:阿尼默漫畫集》(大塊文化)
    20. Manuel Castells,廖珮杏、劉維人譯,《憤怒與希望:網際網絡時代的社會運動》(南方家園)
    21. Alice Kaplan,江先聲譯,《尋找異鄉人:卡繆與一部文學經典的誕生》(大塊文化)
    22. 高木直子,洪俞君、陳怡君譯,《媽媽的每一天:高木直子手忙腳亂日記》(大田)
    23. Erik Olin Wright,陳信宏譯,《如何在二十一世紀反對資本主義》(春山)

    永井 荷風Nagai Kafū『濹東綺譚』 『断腸亭日乗』Danchōtei Nichijō美利坚物语等等

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    永井 荷風『濹東綺譚』  『断腸亭日乗』Danchōtei Nichijō美利坚物语等等
     永井 荷風  断腸亭日乗Danchōtei Nichijō


    Nagai Kafū (永井 荷風), born Nagai Sōkichi (永井 壮吉), December 41879 - April 301959, was a Japanese novelist, playwright, essayist, and diarist. His works are noted for their depictions of life in early 20th-century Tokyo, especially among geisha, prostitutes, cabaret dancers, and other denizens of the city's lively entertainment districts.
    Among his major works are:
    • American Stories (あめりか物語, Amerika Monogatari, 1908)
    • Geisha in Rivalry (腕くらべ, Ude Kurabe, 1916-1917)
    • A Strange Tale from East of the River (濹東綺譚, Bokutō Kidan, 1937)
    A Strange Tale from East of the River (濹東綺譚, Bokutō Kidan, 1937) 中文翻譯,收入:『永井荷風選集』陳薇譯,北京:作家出版社,1999
    這大概是57歲的作品:正文寫一位女子;贅言寫一位不遇的摯友…..隨便可以舉『紅樓夢』的一首

    ぼく東綺譚 - Wikipedia


    https://ja.wikipedia.org/wiki/ぼく東綺譚

    『濹東綺譚』(ぼくとうきだん)は、永井荷風の小説。 私娼窟・玉の井を舞台に、小説家・大江匡と娼婦・お雪との出会いと別れを、季節の移り変わりとともに美しくも哀れ深く描いている。荷風の日記『断腸亭日乗』には荷風の玉の井通いの様子が書かれており、 ...






    取材のために訪れた向島は玉の井の私娼窟で小説家大江〓@45B3はお雪という女に出会い、やがて足繁く通うようになる。物語はこうして〓東陋巷を舞台につゆ明けから秋の彼岸までの季節の移り変りとともに美しくも、哀しく展開してやく。昭和12年、荷風58歳の作。木村荘八の挿絵が興趣をそえる。











    (今日或為先生的頭七,前幾天在報紙上獲知先生仙逝,記者文章中只說你是皇宮中某室壁障畫的作者等等,完全不提先生在唐招提寺中畫的鑑真史詩,先生在德國或美國的風景中所做的沉思,先生畫的路、樹、林,先生在信州長野市的美術館…

    照理當再讀先生的文,。再看先生的畫。然而又何必如此呢?我在心裡,像永井荷風的父親,每逢蘇軾生日必邀老友聚飲、吟詩。先生的靈是東洋的,然而先生或許也了解里爾克論風景吧!(敬別東山魁夷先生(2000/01))我一定讀過他的散文選集,所以2000會這樣寫


    松岡正剛の千夜千冊『断腸亭日乗』永井荷風



    邱振瑞

    永井荷風與濹東綺譚


    https://ziyuman.blogspot.com/


    如果我們把戰爭比喻為無情的歷史文本,那麼它在某種層面上必然會突顯出時代的狂亂和荒謬扭曲的人性。
    日本在二戰中為了彌補兵員的不足,1943年開始從在讀的大學生徵召兵力,這就是「學徒出陣」一詞的起源。當時,在軍部認為,大學理科生的學習關係到武器的研發,以此支持戰爭的延續,因此,那時徵召的都是文科生。


    在那種時代的氛圍下,閱讀文學書籍無異於是奢侈和危險的行為。根據日本禁書史指出,1943年12月,發生了一件奇異的插曲。一名受大學生來到車站的月台上,準備登上臨時的軍用列車,特地前來的祖父給了他一冊小說----永井荷風的《濹東綺譚》,作為餞別的禮物,這大學生登上了軍用火車以後,沒多久,就往車窗外扔了出去。於是有人推測,儘管彼時海軍的兵員比陸軍受到重視,但扔書者應當是大日本帝國的士兵。他們比任何都清楚當時的情勢,在這種情況下,持有這部情色文學小說,等於攜帶危險物品上車,與其被鐵面的長官查獲到,當場來回挨摑耳光,不如扔掉來得安全。這個舉動是出於自衛的正確,亦是明哲保全的範例。


    日本古書專家說,這本於1937年8月出版的《濹東綺譚》(岩波書店),現在,已經是高價的絕版書了,市售行情在2萬5千圓至8萬圓左右,對收藏家而言,這是極具吸引力的珍品。讀到這些記載,我不由得聯想起來:如果那天到車站月台為自家子弟送行的家屬們,其中若有舊書店家的先見之明,送走軍用火車之後,不要立刻返家,而是留下來,把從車內丟扔出來的書冊,一本一本拾起,帶回家妥善收藏,在經濟景氣低迷的現今,這些絕版書必定派上用場,足以變換成可觀的現金。所以,正如舊書店老闆所說,「諸位啊,你們要趁尚能讀書和買書的時候,常來店內逛逛呀。舊書店具有懷舊的魔力,讓你們找到親近的往事,甚至讓你重拾失落的記憶。」說得沒錯,僅只是如此,舊書店作為戀舊的空間,就很了不起了,就算你沒掏出鈔票購買,看看它們的現況,呼吸它們的存在,其感覺絕不遜於到博物館一覽了。吸收新知固然重要,緬懷舊書和回想親朋故舊,豈不也是日常生活中的殊勝?


    圖1.(取自日本電影海報)圖2.書影(取自白水社)

    His diaries, especially Danchōtei Nichijō (断腸亭日乗, written 1917-1959)


    2020-06-07 産經新聞 朝刊
    評者: 小牟田哲彦(作家)
    紹介
    作家永井荷風の「断腸亭日乗」の昭和15年から20年3月までの記録を元に戦時下の東京を描き尽くす。戦争、世相、食糧事情、風俗譚、文学活動と多岐にわたる視点で甦らせた東京のあの頃。
    荷風は何をしていたのか、荷風は何を考えていたのか、荷風は何を食べていたのか、荷風はどんな女を抱いたのか、荷風は何を書き続けていたのか。戦後の「荷風ブーム」はなぜ可能だったのか。谷崎潤一郎をはじめとして多彩な交遊関係はいかに築かれたのか。『濹東綺譚』以後、作品を発表しようとしない荷風は何をしていたのか。
    本書は浩瀚な文献を駆使して、数々の疑問に答えて、ある時代の相貌を鮮やかに浮かびあがらせる。









    シュウカイドウ 秋海棠 瓔珞草 断腸花 ...

    だんちょう-か ―ちやうくわ 3 【断腸花】
    シュウカイドウの異名。


    Diarist watched a storm gather over Japan

    09/24/2007
    The pink flowers of shukaido hardy begonias are blooming modestly in a nearby park. Said to be shade-loving, these flowers light up the gloom cast by the towering trees.
    Shukaido are also called "Danchoka," which translates as "heart-rending flowers." The name is said to derive from their seemingly mournful appearance.
    The novelist Nagai Kafu (1879-1959) loved these flowers and had them planted in his garden, and named his residence Danchotei. It was there that he wrote his famous diary titled "Danchotei Nichijo," for an impressive 42 years from before World War II to the day before his death. The diary attests to his uncompromising liberalism.
    His first entry, dated Sept. 16 exactly 90 years ago, reads: "Sept. 16: These endless autumn rains remind me of the tsuyu rainy season."
    Nagai had no interest in keeping up with the times, but his insight into what was happening in the world was sharp and accurate. While haunting bars and red light districts, he observed bluntly of the Japanese invasion of China: "Hopelessly stuck in a prolonged war, (the government) has suddenly started calling it a holy war--a most egregious misnomer."
    On another day, he was barely able to contain his loathing for his own compatriots: "Oh America, I beseech thee to rise up at once and give these savage people a chance to repent."
    And upon hearing of Emperor Hirohito's radio address to concede Japan's defeat in World War II, Nagai wrote: "Just what I needed (to hear)... We all celebrated, got drunk, and went to sleep." A hermit in spirit, Nagai was wide awake to reality.
    Reportedly, he wrote his diary with the intent of eventually publishing it. I wonder if he would have started a blog in this present age.
    There are currently more than 8 million Internet bloggers in Japan, and they are said to have a combined readership of about 40 million people. Anyone can voice their opinions in public today, but one downside of this is that anyone can verbally abuse others.
    In "Danchotei Nichijo," Nagai hardly made personal attacks. The master wordsmith must have been fully aware of how hurtful words could be if used as a weapon for personal attack.
    --The Asahi Shimbun, Sept. 16(IHT/Asahi: September 24,2007)


    現代日本文學大系23 永井荷風集 (一) (二) 東京: 筑摩書房 1969

    此兩物語為選本



    永井 荷風(ながい かふう、1879年(明治12年)12月3日 - 1959年(昭和34年)4月30日)は、日本の小説家。本名は永井 壮吉(ながい そうきち、旧字体:壯吉)。金阜山人(きんぷさんじん)・断腸亭主人(だんちょうていしゅじん)ほか。


    濹東綺譚』上海三聯  2012 第一頁就有打字錯誤

     『濹東綺譚』(ぼくとうきだん[1])は永井荷風の小説。私娼窟・玉の井を舞台に、小説家・大江匡と娼婦・お雪との出会いと別れを、季節の移り変わりとともに美しくも哀れ深く描いている。荷風の日記『断腸亭日乗』には荷風の玉の井通いの様子が書かれており、主人公大江は作者の分身と考えられる。荷風の小説中、最高傑作ともされ、1960年1992年に映画化された。

     http://ja.wikipedia.org/wiki/%E6%BF%B9%E6%9D%B1%E7%B6%BA%E8%AD%9A

    《地 狱之花》收有《地狱之花》、《隅田川》、《两个妻子》等6篇小说。荷风文笔圆熟,作品流露着缠绵悱恻的情调和色情趣味,在社会上引起一股享乐主义潮流。此 外还有《大洼通迅》(1913)、《断肠亭杂稿》(1918)、《荷风随笔》(1927)等随笔集。 作者: [日] 永井荷风




    译者: 谭晶华 / 郭洁敏   ISBN: 9787532750788   定价: 30.00元   出版社: 上海译文出版社   装帧: 平装   出版年: 2010-8
    内容简介

    —— 物哀文化江户情趣的风俗画   ——唯美反俗精神下的文明批评   《地狱之花》由六篇中短篇小说构成,成书于一九〇二年,作品深受左拉的自然主义文学影响,字里行间无不充满作者自身生活和人生看法的影子。   《地狱之花》通过一位女教师的遭遇,反映了明治时代女性决心冲破世俗观念、争取自由幸福的思 想。《隅田川》通过一个青年弃学而憧憬艺人生活的故事,以甜美的诗情、怀古的幽思描写了隅田川畔的风土人情。《梅雨前后》是一篇描写咖啡馆女招待生活的风 俗小说。《墨东趣谭》以随笔风格叙述了老作家与妓女的交往,通过对景致、风俗的描绘以及对战争、世态的讽刺表达了作者的人生观点。《积雪消融》写一个女招 待在积雪消融的日子到曾经抛弃妻儿、现又落魄的父亲家后产生的温暖父女情。《两个妻子》通过描写两个丈夫出轨的妻子的一喜一忧,再现了当时有闲阶级的生 活。

    作者简介

    永 井荷风(1879—1959)   日本唯美派文学代表作家。一九〇二年以自然主义倾向小说《地狱之花》登上文坛,代表作有小说 《梅雨时节》和随笔集《断肠亭杂稿》等,作品不少描写花街柳巷生活,抨击了明治末年社会的庸俗及丑恶,充满唯美注意和怀旧之风。第二次世界大战中作品被 禁,一九五二年获日本政府颁发的文化勋章,一九五四年当选为艺术院会员。

    目录

    前言   地狱之花   隅田川   梅雨前后   『濹東綺譚』  积雪消融   两个妻子


    永井荷风:法兰西物语

    目录

    船和车
    罗纳河畔
    秋的街景
    驯蛇人
    晚餐
    灯光节之夜
    雾之夜
    面影
    重逢
    独旅

    挥别巴黎
    黄昏的地中海
    哈科特
    新加坡的数小时
    西班牙料理
    橡树落叶——小品集

    碑文
    休茶屋
    裸美人
    恋人
    夜半舞蹈
    美味
    午后
    舞女

    永井荷风:美利坚物语


    永井荷风(1879-1959),日本唯美主义文学的代表作家。他的文字华丽、细腻,有着日本文学传统的美感,虽然被人指责为“颓废”、“耽于享乐主义”,但其唯美的和哀情的风格确是无与伦比的。
    荷风是最早接受西方文化的日本人之一,在经历深层的文化碰撞所带来的心灵折磨和震撼之后,却成了日本江户社会文化的守望者。
    贯穿于荷风的文学世界的主题,是那种烂熟之极而后的颓废,并随之而来的清新雅丽又有几分哀愁惆怅的社会、风物以及人情世故。
    荷风的代表作有小说(《地狱之花》(1902)、《掰..


    船舱夜话
    牧场小道
    山冈上
    醉美人
    长发
    春和秋
    雪的归宿
    林间
    坏朋友
    旧恨
    梦醒
    一月一日

    芝加哥二日
    夏之海
    深夜的酒
    落叶
    夜之女
    夜间漫步
    六月夜的梦
    .西雅图的一夜
    夜雾
    夏之海(初稿)

    Diplomacy - History of diplomacy:China| Britannica. 葛兆光演講:「朝貢圏最後の盛会」對談:葛兆光 × 杉山清彦

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    Diplomacy - History of diplomacy:China| Britannica. 葛兆光演講:「朝貢圏最後の盛会」對談:葛兆光 × 杉山清彦


    ****

    Diplomacy - History of diplomacy | Britannica


    China

    The first records of Chinese and Indian diplomacy date from the 1st millennium BCE. By the 8th century BCE the Chinese had leagues, missions, and an organized system of polite discourse between their many “warring states,” including resident envoys who served as hostages to the good behaviour of those who sent them. The sophistication of this tradition, which emphasized the practical virtues of ethical behaviour in relations between states (no doubt in reaction to actual amorality), is well documented in the Chinese classics. Its essence is perhaps best captured by the advice of Zhuangzi to “diplomats” at the beginning of the 3rd century BCE. He advised them that

    if relations between states are close, they may establish mutual trust through daily interaction; but if relations are distant, mutual confidence can only be established by exchanges of messages. Messages must be conveyed by messengers [diplomats]. Their contents may be either pleasing to both sides or likely to engender anger between them. Faithfully conveying such messages is the most difficult task under the heavens, for if the words are such as to evoke a positive response on both sides, there will be the temptation to exaggerate them with flattery and, if they are unpleasant, there will be a tendency to make them even more biting. In either case, the truth will be lost. If truth is lost, mutual trust will also be lost. If mutual trust is lost, the messenger himself may be imperiled. Therefore, I say to you that it is a wise rule: “always to speak the truth and never to embellish it. In this way, you will avoid much harm to yourselves.”
    This tradition of equal diplomatic dealings between contending states within China was ended by the country’s unification under the Qin emperor in 221 BCE and the consolidation of unity under the Han dynasty in 206 BCE. Under the Han and succeeding dynasties, China emerged as the largest, most populous, technologically most-advanced, and best-governed society in the world. The arguments of earlier Chinese philosophers, such as Mencius, prevailed; the best way for a state to exercise influence abroad, they had said, was to develop a moral society worthy of emulation by admiring foreigners and to wait confidently for them to come to China to learn.

    Once each succeeding Chinese dynasty had consolidated its rule at home and established its borders with the non-Chinese world, its foreign relations with the outside world were typically limited to the defense of China’s borders against foreign attacks or incursions, the reception of emissaries from neighbouring states seeking to ingratiate themselves and to trade with the Chinese state, and the control of foreign merchants in specific ports designated for foreign trade. With rare exceptions (e.g., official missions to study and collect Buddhist scriptures in India in the 5th and 7th centuries and the famous voyages of discovery of the Ming admiral Zheng He in the early 15th century), Chinese leaders and diplomats waited at home for foreigners to pay their respects rather than venturing abroad themselves. This “tributary system” lasted until European colonialism overwhelmed it and introduced to Asia the European concepts of sovereignty, suzerainty, spheres of influence, and other diplomatic norms, traditions, and practices.





    很有意思或時代意義的演講,值得深思......

    東京カレッジオンライン(TOKYO COLLEGE) 講演「朝貢圏最後の盛会」講師:葛兆光

    •May 26, 2020


    https://www.youtube.com/watch?v=av3fpo_E2r4



    Ben Chen


    葛兆光在東京預錄的演講


    可能是因為疫情而滯留在東京。


    乾隆八十歲大壽,各方的朝貢盛會


    6/8,會有對談的直播 

    「朝貢圏最後の盛会」【対談】葛兆光 × 杉山清彦





    【対談】葛兆光 (東京カレッジ特任教授、復旦大学特別招聘教授)× 杉山清彦(総合文化研究科准教授) 2020年6月8日(月)16:00-17:00配信予定 中国語・日本語(逐次通訳付) 講師プロフィール 葛兆光: 1984年北京大学大学院修士課程 (古典文献学)修了、1992年に清華大学教授(歴史学)、2006年に復旦大学特別招聘教授。京都大学(1998年)、東京大学(2015年)、プリンストン大学大学(2011~2013年)、シカゴ大学(2015年)客任教授。東アジア、中国の思想史・文化史・宗教史を研究。 杉山清彦 : 東京大学総合文化研究科准教授。2000年大阪大学で博士(文学)学位を取得。専門は大清帝国史。とくに八旗制を中心に,マンジュ(満 洲)人王朝という観点から,帝国の形成・発展過程とその構造を研究している。 【講演】「朝貢圏最後の盛会」は東京カレッジYoutubeチャンネルにて公開中https://youtu.be/av3fpo_E2r4イベント詳細:https://www.tc.u-tokyo.ac.jp/ai1ec_ev...





    TC.U-TOKYO.AC.JP

    東京カレッジオンライン講演「朝貢圏最後の盛会」講師:葛兆光 (2020-06-08)
    東京カレッジオンライン講演「朝貢圏最後の盛会」講師:葛兆光 日本語 English (英語) Calendar いつ: 2020.06.08 16:00 – 17:


    代においては朝貢と言った形式はなかったが、になると再び朝貢形式が採られた。鄭和の大遠征により、多数の国々からの朝貢を受けることになった。しかし回賜の経費が莫大であったことから、その後に明は朝貢制限へと方針転換し、明の成化10年(1474年)には2年に一貢となり、朝貢一行も100人以下と厳命される。
    清と朝貢国は「属邦自主」の原則にあり、朝貢国の内政・外交を清が直接支配はしなかったが、属国と上国という上下の秩序にあり、朝鮮琉球ベトナム阮朝)・タイ王国ビルマコンバウン朝)・ネパールイスラーム諸国の朝貢国の君主が清と主従関係を結んだ[3]。ヨーロッパに対しても、朝貢感覚で貿易を継続しようとしたが、ヨーロッパ諸国に傲慢な態度として憎まれ、結果、アヘン戦争などが勃発し、逆に中国が半植民地化する要因となった。さらに琉球処分及び清仏戦争日清戦争における清の敗北により、李氏朝鮮阮朝琉球王国からの朝貢も終了した。これ以降、朝貢という形式での対外関係は消滅した。

    日本

    Chinese practice of tributes as trade regulation and authority




    宮崎市定 『中国文明の歴史9 清帝国の繁栄』 中央公論新社中公文庫〉、2000年、
    The Qianlong Emperor (25 September 1711 – 7 February 1799)
    However, due to numerous factors such as long term embezzlement and corruption by officials, frequent expeditions to the south, huge palace constructions, many war and rebellion campaigns as well as his own extravagant lifestyle, all of these cost the treasury a total of 150.2 million silver taels.[citation needed] This, coupled with his senior age and the lack of political reforms, ushered the beginning of the gradual decline and eventual demise of the Qing Empire, casting a shadow over his glorious and brilliant political life.


    1.  Elliott, Mark C. (2001). The Manchu Way: The Eight Banners and Ethnic Identity in Late Imperial China (illustrated, reprint ed.). Stanford University Press. 
    2. ^ Crossley, Pamela Kyle (2000). A Translucent Mirror: History and Identity in Qing Imperial Ideology. University of California Press.


    Francis Crick (1916~2004):What Mad Pursuit ...The Francis Crick Institute

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    2008
    What Mad Pursuit: A Personal View of Scientific Discovery by Francis Crick (Author) "I WAS BORN IN 1916, in the middle of the First World War..." (more)Publisher: Basic Books (July 9, 1990) 這本書我讀過,不過書已封箱。
    只能從1995年的文中一覽

    出走紐西蘭
    據說,當代日本的強盛,主要是有眾多犧牲自我、任勞任怨的「
    教育媽媽」--她們以培養子女
    為生命最優先的職志,因此整體國民素質特高。看來,台灣也不差,我們也有些為兒女教育「孟母三遷」的智慧型「教育媽媽」,只不過,可惜的是,她選擇了「離家出走」。
    本書是作者去年對台灣教育喪失品質、機會的通信錄。整本書所記過程、體驗,寓教育、探險、遊行者、生命追求為一爐,誇張地說,誠如莎士比亞所言:「好個狂熱之追求!(Whata madpursuit!)」--這是錯引,應為What Mad Pursuit ,而且應該是John Keats的詩-莎士比亞的Shakespeare's sonnets.. ...Mad in pursuit and in
    possession so; Had, having, and in quest to have extreme; ...

    Ode On A Grecian Urn

    I
    Thou still unravish'd bride of quietness,
    Thou foster-child of silence and slow time,
    Sylvan historian, who canst thus express
    A flowery tale more sweetly than our rhyme:
    What leaf-fring'd legend hounts about thy shape
    Of deities or mortals, or of both,
    In Tempe or the dales of Arcady?
    What men or gods are these? What maidens loth?
    What mad pursuit? What struggle to escape?
    What pipes and timbrels? What wild ecstasy?





    6 小時
     

    Today would have been the 104th birthday of Francis Crick, was awarded the 1962 Nobel Prize in Physiology or Medicine for his part in the discovery of the structure of DNA.

    圖像裡可能有1 人、站立、鬍鬚和戶外

    The institute is named after the molecular biologistbiophysicist, and neuroscientist Francis Crick, co-discoverer of the structure of DNA, who shared the 1962 Nobel Prize for Physiology and Medicine with James Watson and Maurice Wilkins. Unofficially, the Crick has been called Sir Paul's Cathedral, a reference to Sir Paul Nurse and St Paul's Cathedral in London.
    Francis Crick

    Francis Crick crop.jpg
    Born
    Francis Harry Compton Crick

    8 June 1916
    Weston Favell, Northamptonshire, England, UK
    Died28 July 2004 (aged 88)
    San Diego, California, United States
    NationalityBritish
    Education
    Alma mater
    Known for

    World Architecture News


    The new The Francis Crick Institute in ‪#‎London‬ By ‪#‎HOK‬ and ‪#‎PLP‬will act as a hub for talent and research while aiding collaboration - See more at:
    it.ly/1P3iMiS

    The Francis Crick Institute
    Francis Crick Institute, September 2016 (29634828786).jpg
    The Francis Crick Institute logo.png
    Established2010
    TypeResearch institute
    Registration no.England and Wales: 1140062
    FocusMedical research
    Location
    Coordinates51.5315°N 0.1289°W
    Chief Executive
    Paul Nurse
    Websitecrick.ac.uk






    (MIT)Toshiba Professor of Media Arts and Sciences:Marvin Lee Minsky (1927~2016)、Alex 'Sandy' Pentland

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    2020年6月15日要私辦" Herbert Simon 記念"。
    主題是逐年公布昔日翻譯 Simon 的重要書籍、演講、論文 (有的半途而廢,譬如上周公布的〈文學批評與認知科學〉)。

    另外,重新接上當年認知科學群英。昨天才發現
    (MIT)Toshiba Professor of Media Arts and Sciences:Marvin Lee Minsky (1927~2016)、Alex 'Sandy' Pentland

    Marvin Lee Minsky (August 9, 1927 – January 24, 2016) was an American cognitive scientist concerned largely with research of artificial intelligence (AI), co-founder of the Massachusetts Institute of Technology's AI laboratory, and author of several texts concerning AI and philosophy.[12][13][14][15]
    Minsky received many accolades and honors, such as the 1969 Turing Award.

    He was the Toshiba Professor of Media Arts and Sciences, and professor of electrical engineering and computer science.

    他過世時,大作The Society of Mind 可在網路找到

     is both the title of a 1986 book and the name of a theory of natural intelligence as written and developed by Marvin Minsky.[1]
    In his book of the same name, Minsky constructs a model of human intelligence step by step, built up from the interactions of simple parts called agents, which are themselves mindless. He describes the postulated interactions as constituting a "society of mind", hence the title.[2]
    *****



    接MITToshiba Professor of Media Arts and Sciences的,也是多才多藝:
    Overview ‹ Alex 'Sandy' Pentland — MIT Media Lab
    www.media.mit.edu › people › overv...



    Professor of Media Arts and Sciences; Toshiba Professor; Media Lab Entrepreneurship Program Director. Professor Alex 'Sandy' Pentland directs MIT Connection Science, an MIT-wide initiative, and previously helped create and direct the MIT ...









    Professor of Media Arts and Sciences
    Toshiba Professor
    Media Lab Entrepreneurship Program Director


    Professor Alex 'Sandy' Pentland directs MIT Connection Science, an MIT-wide initiative, and previously helped create and direct the MIT Media Lab and the Media Lab Asia in India. He is one of the most-cited computational scientists in the world, and Forbes recently declared him one of the "7 most powerful data scientists in the world" along with Google founders and the Chief Technical Officer of the United States. He is on the Board of the UN Foundations' Global Partnership for Sustainable Development Data, co-led the World Economic Forum discussion in Davos that led to the EU privacy regulation GDPR, and was central in forging the transparency and accountability mechanisms in the UN's Sustainable Development Goals. He has received numerous awards and prizes such as the McKinsey Award from Harvard Business Review, the 40th Anniversary of the Internet from DARPA, and the Brandeis Award for work in privacy.


    He is a member of advisory boards for the UN Secretary General and the UN Foundation, and the American Bar Associa… View full description


    Professor Alex 'Sandy' Pentland


    Connection Science

    Media Lab Entrepreneurship Program

    Social Physics


    Science


    Medium: Searching for Someone

    Edge.org: Reinventing Society with Big Data

    American Scientist To Signal Is Human

    Scientific American: Wearable Intelligence

    Nature: Secret Signals

    Science: Computational Social ScienceCollective IntelligenceTime Critical Social Mobilization

    Harvard Business Review: Breakthrough Ideas

    World Economic Forum: The New Deal on DataPersonal Data: A New Asset Class

    Technology Review: Reality Mining

    Robert Wood Johnson: Reality Mining for Health


    Business and Engineering


    Communications of the ACM: Beyond Viral

    The Verge: Godfather of Wearables

    Forbes: Mining Human Behavior

    Newsweek: A Trillion Points of Data

    New York Times: Understanding Conversations

    Strategy+Business: Honest Signals


    Entrepreneurship


    Financial Times: Twitter Effect

    The New York Times: Top Ten Internet Of Things Product

    BusinessWeek: World’s Most Intriguing Startups

    ABC: Listening For Depression

    Financial Times: Entrepreneurship For Development


    Recent Awards


    Brandeis Privacy Award

    Best Business Book, Innovation

    McKinsey Award Harvard Business Review

    10 Technologies That Will Change The World

    World’s Most Powerful Data Scientists

    40th Anniversary of the Internet Grand Challenge

    10 Technologies That Will Change The World

    Future Health Technology Award

    Carlos Ghosn Award for Automotive Design


    Videos


    Beyond Viral

    Sustainable Digital Ecologies (Davos)

    Breakthrough Idea of the Year talk at Davos

    Honest Signals

    Reality Mining

    Ooh La La


    Curriculum VitaeResearch PapersOlder Papers







    羅葉《阿草的邊緣歲月》《生命無地圖》《記憶的伏流》《我願是妳的風景》《華德福教育 第八期》

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    羅葉死後留下不少詩可流傳。
    約1990年他去應徵新新聞》週刊,指帶大學時寫的幾首詩,主考官王健壯說他的詩寫的不錯......
    又可參考楊牧等編的《現代中國詩選Ⅱ》,末首是羅葉的:
    後來我跟鄭樹森說,我們一起來編一本詩選吧,兩人分頭選了自己讀過喜歡的詩,因為是兩個人,比較有不同的看法,折衷一下彼此的觀點。他完全贊成,於是有了《現代中國詩選Ⅰ》《現代中國詩選Ⅱ》(與鄭樹森合編 ,1989)。
     《現代中國詩選Ⅰ》《現代中國詩選Ⅱ》從沈尹默(1882~1971),到羅葉 (1965~2010),選得有意思,尤其是楊牧的13首 (不知道是否為自選的?)


    羅葉(本名羅元輔,1965年4月3日-2010年1月17日),台灣宜蘭縣人(出生於花蓮,然而身份證為宜蘭),台灣作家,台灣大學社會學系畢業。創作以詩與小說為主,詩的風格偏向冷絕,語言在平實中求變化,小說的風格則偏向嘲謔,作品蘊含本土關懷。
    羅葉在戒嚴時期,就讀大學期間,曾參與學運並創辦《自由之愛》地下刊物,其創刊辭、同名詩作《自由之愛》揭示了羅葉對社會正義的堅持與追求。
    羅葉曾任職於《新新聞》週刊、《自立晚報》、《亞洲週刊》,並曾任教於華岡藝校、永和社區大學、宜蘭社區大學、宜蘭縣 慈心華德福教育實驗國民中小學。 羅葉曾獲聯合報自由時報中國時報中央日報文學獎、教育部文藝創作獎、全國學生文學獎台灣文學獎等文學獎項。......

    作品[編輯]

    • 《蟬的發芽》書林 1994年
    • 《對你的感覺》元尊文化 1998年
    • 《病愛與救贖》木馬文化 2002年
    • 《我願是妳的風景:羅葉詩選2013》典藏文創 2013年
    小說
    • 《我的兄弟黃非紅》探索文化 1994年
    • 《長官貴庚勝統獨》探索文化 1995年
    • 《阿草的邊緣歲月》探索文化 1995年
    • 《墜落天堂鼠》探索文化 1995年
    • 《生命無地圖》遠流 1997年
    • 《妄想症女孩》探索文化 2000年
    散文
    • 《記憶的伏流》遠流 1997年
    • 《從愚人節開始新生活》探索文化1998年
    • 《樹怎樣成為自己》新新聞 2001年



    2020.6.10
    短篇小說 《生命無地圖》遠流 1997年;
    散文《記憶的伏流》遠流 1997年,1995的中國遊記,很有意思
    男方朔寫兩書的序(文章相同),



































    2017.1.10




    胡慧玲轉貼自 Jerry Kuo-Cheng Huang
    我想念羅葉。


    www.youtube.com
    《我願是妳的風景》羅葉詩選,典藏文創2013出版。

    2017.1.11

    擁抱科技,
    血壓飆高,肩頸痠痛。
    讀詩自癒/ 自娛。
    羅葉,《我願是妳的風景》
    想妳的時候我會連線衛星地圖
    自萬呎高空俯瞰妳側臥於島嶼邊緣
    層巒蓊鬱的髮捲,縱谷舒朗的神韻
    礁石與灘岸聯手勾勒出婀娜軀線
    蔚藍裙擺上飛舞著浪白蕾絲邊
    那樣子斜枕奇萊,看不出是睡是醒
    我只好放大比例尺鷹旋下探
    緩緩迎向妳峽谷明眸的笑靨
    依稀認出激流是高歌,巨石是低吟
    西瓜是妳甜美的詩句隨興寫在沙河床
    颱風是季節捎來的書信,黑潮是項鍊
    ……


     2013.5.26
    無意間發現 羅葉的短篇小說集《阿草的邊緣歲月》台北:探索1999(他說除詩之外很少重溫自己的作品......)
    這是本再版的書 (羅葉當時1995.1已出書9本)
    讀首篇《矮仔婆‧蘋果》和末篇《反挫》1995--這是篇很感人的小宇宙 (釣魚場)風雲.....


    2013.04.18

    (幾年前宜蘭的華德福中學張女士邀請我們兩對夫婦一訪。)
    在靜靜的圖書館紀念角落
    不知道那位詩人轉為
    作文老師的羅先生,
    還有多少詩興?
    http://yifertw.blogspot.tw/2011/05/blog-post_9456.html


     2011.5.15

    「綜合言之,華德福學校的教 學方法是以優律思美、遊戲、唱歌、說故事、戲劇以及接近大自然為主,重視個人發展也重視團體概念,並不以考試、比賽和排名次等方法來衡量學生,而是透過學 生自己的繪畫、手工等作品,和公開表演話劇、唱歌、朗誦和演奏等活動,來展現學生的綜合能力,讓每個孩子都能發揮潛能,並得到欣賞和肯定。」



    這本圖文並茂的雜誌是張純淑女士送的


    人哲第八期: 華德福教育專刊=《華德福教育 第八期》宜蘭:財團法人人智學教育基金會,2010
    內容很豐富精彩
    唯一的一缺憾是 它看似沒寫篇封面故事--台灣學童自製的船的專題報導 -- 主要是由老師觀點出發簡記而已 應該將學生工匠的學習日誌發表 希望這是2011年6月即將推出的

    包世臣《藝舟雙楫》為論文論書之作,故名雙楫。今康有為《廣藝舟雙楫》專論書,不論文,能蒙其稱,不通可笑。---《葉德輝文集》上海:華東師範大學,2010,頁80。


    本期的第一篇當然是紀念羅葉先生啦
    在一年多之後 張純淑女士領我們到 到圖書館 參觀他的紀念角等
    蘇錦坤先生的報導:

    思念羅葉

    本期 羅葉先生還有一篇探討"接力作文/說故事"的經驗/批判文章

    《華德福教育 第八期》的一小缺點是"分類"的問題 由於華德福教育有十大學門 而慈心目前含蓋 K-9 所以 範圍相當廣



    我建議編者思考這類問題 (包括每文的作者簡介和文摘)





    第九期之一






    吳宏一學經歷資料《清代文學批評論集》青木正兒《清代文學評論史 》

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    維基百科,自由的百科全書
    吳宏一(1943年臺灣學者,歷任臺灣大學中文系教授、香港中文大學中文系及香港城市大學中文、翻譯及語言學系講座教授。

    生平[編輯]

    吳宏一為臺灣高雄大社人,1943年生。臺灣大學中文研究所博士,師從鄭騫教授及屈萬里王叔岷張敬裴溥言孔德成葉嘉瑩諸先生。歷任臺灣大學中文系所教授、中正大學籌備處顧問、中央研究院文哲所籌備處主任、香港中文大學中國語言及文學系講座教授、香港城市大學中文講座教授、美國傅爾布萊特計畫講座學者、北京大學人文基金高級訪問學者。
    曾主編臺灣教育部編譯館中小學語文教科書,並擔任臺、港、大陸等地多種學術期刊之編審顧問;曾獲美國學術交流基金會資助,赴美訪問,並曾擔任新加坡教育部海外華文顧問;曾獲臺灣國科會傑出研究獎、國家文藝獎(文學理論類)和香港研究資助局多次研究資助等。已出版著作三四十種,學術論文約百篇。除研究中國文學及古代文獻外,也詩文集多種,作品曾被選入臺灣、香港、韓國馬來西亞等地語文教科書。
    *****

    吳宏一學經歷資料 PDF
    吳宏一教授學經歷資料及著作目錄.pdf



    3.學術專書

    1969.07 《常州派詞學研究》,台大中文所碩士論文。

    1970.06 《常州派詞學研究》,臺北︰嘉新水泥公司文化基金會,154 頁。

    1973.07 《清代詩學研究》,台大中文所博士論文。
     1977.02 《清代詩學初探》,臺北︰牧童出版社,333 頁。

    1977.02 《儀禮鄉飲酒禮儀節簡釋》,中華書局,94 頁。

    1978.04 《隨園詩話考辨》,自刊本,94 頁。

     1979 《清代文學批評資料彙編》,與葉慶炳合編,臺北︰成文出版社,2 冊。 1980 《中國古典文學論文精選叢刊詩歌類》,與呂正惠合編,臺北︰幼獅出 版社。

     1980.09 《白話論語》,臺北︰新生報出版社。 1986.01 《清代詩學初探(修訂本)》,臺北︰學生書局,310 頁。 1988.09 《先秦文學導讀(1—4 冊)》,臺北︰桂冠出版社,每冊 300 頁左右。 1989.07 《讀古文想問題》,中央日報社,150 頁。 

    1990.05 《文學常談》,臺北︰聯經出版事業公司,246 頁。 1990.05 《文學與修養》,臺北︰聯經出版事業公司,156 頁。




    1990.08 《清代詞學四論》,臺北︰聯經出版事業公司,313 頁。


    1993.05 《白話詩經(一、二)》(一名《詩經新繹》),臺北︰聯經出版事業公司, 每冊約 375 頁。


    1994.08 《論語生活》(合著),教育部社會教育司,736 頁。 1997.08 《白話詩經(第一冊)》,臺北:聯經出版事業公司,347 頁。再版。




    1998.05 《白話詩經(第二冊)》,臺北:聯經出版事業公司,375 頁。再版。 1998.11 《詩經與楚辭》,中山學術文化基金會,臺北︰臺灣書店,235 頁。


    1998.06 《清代文學批評論集》,臺北︰聯經出版事業公司,420 頁。

    這本書有多處談到 青木正兒《清代文學評論史 》陳淑女譯 台灣:開明,指出一處 青木正兒誤讀引文作者,"約"2處譯者未查原書等。
    這些"細節"當然也很重要,然而 青木正兒此書有許多優點,應該有正式書評



    有清一代,人文蔚起,學術稱盛。前代的種種主張,清人無不演繹而重加闡釋,所以說清代文學批評集前人之大成,兼容並包歷代之文學特色,並不為過;梁啟超曾稱之為中國的「文藝復興時代」。
    本書就清代詩學資料的鑑別,以及金聖嘆、徐增、葉燮、趙執信、沈德潛、袁枚、方東樹等大家的重要著作,歸納其理論系統,說明其論詩主張的得失和影響。
    此外,並就朱彝尊的文學批評,李漁、劉熙載等人的詞學作較深入的探討。以期對清代詩學乃至整個清代文學,有進一步的認識。


    吳宏一,《清代文學批評論集》,臺北:聯經出版事業公司,1998[民87] 吳宏一,《清代文學批評資料彙編》,臺北:成文出版社,民國68 林明德,《金代文學批評資料彙編》,臺北:成文出版社,民國68 


    1999.12 《人文社會科技的展望》(合著),臺北︰臺灣書店,256 頁。(其中頁 1-68 〈從人文化成到文學轉型〉為拙作)




    2000.08 《從詩歌史的觀點選讀古詩》,臺北:臺灣書店,316 頁。




    2001.10 《詩經與楚辭》,中山學術文化基金會,臺北︰臺灣書店,235 頁。再版。




    2001.11 《白話詩經(第一冊)》,臺北:聯經出版事業公司,347 頁。三版。




    2002.02 《清代詩話知見錄》,臺北︰中央研究院中國文哲研究所,871 頁。 2004.07 《留些好的給別人》,香港:明報出版社,2004 年 7 月初版,230 頁。




    2004 《白話詩經(第二冊)》,臺北:聯經出版事業公司,375 頁。三版。




    2006.12 (2007 夏 季發行) 《清代詩話考述》,臺北︰中央研究院中國文哲研究所,上、下兩冊,共 1733 頁。

     2009.09 《溫庭筠〈菩薩蠻〉詞研究》,臺灣清華大學出版社,2009 年 9 月,共 396 19 頁。 2009.10 《白話詩經》第三冊,臺北︰聯經出版事業公司,共 404 頁。

    2010.03 《詩經與楚辭》(增訂本),臺北︰聯經出版事業公司,共 225 頁。 

    2010.05 《論語新繹》,臺北︰聯經出版事業公司,共 690 頁。 

    2010.06 《讀古文想問題》,臺北︰聯經出版事業公司,共 180 頁。

     2011.01 《唐以前的古詩》,臺北︰天宏出版社,共 326 頁。 2011.02 《千家詩賞析》,臺北︰天宏出版社,共 302 頁。

     2011.03 《中國文學研究的困境與出路》,臺北︰天宏出版社,共 210 頁。

     2011.09 《作文課十五講》,臺北:遠流出版事業股份有限公司。共 263 頁。

     2012.02 《老子新繹》,臺北︰天宏出版社。共 480 頁。 

    2012.03 《從閱讀到寫作—現代名家散文十五講》,臺北:遠流出版事業股份有限公 司

     2012 《六祖壇經新繹》,臺北︰天宏出版社。(出版中)

    愛德華‧威爾森文集,Half-Earth及Naturalist By "E. O." Wilson 回憶錄《大自然的獵人:博物學家威爾森》。金恆鑣博士:環境生態與文學

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    141 金恆鑣博士:環境生態與文學 2017-02-18

    https://www.youtube.com/watch?v=XFVF_wL5Z_0&t=17s





    2017.2.18 2016.12.27 下午,曹永洋與金恆鑣先生來訪,暢談。


    二十年前,讀金恆鑣導讀 E. O." Wilson 回憶錄《大自然的獵人:博物學家威爾森》,"獨具慧眼的田野生物學家",很欣賞金先生的功力。


    今天他74歲了,恰巧又在寫Wilson的新著 Half-Earth: Our Planet's Fight for Life中譯本的"導讀"。原書首頁無副標題,所以請教他Half-Earth 是什麼意思?他說,這是"地球一半是人(我們)的,另一半是生物(他們)的。"


    金恆鑣是(森林)生態學領域之專家、生態學學會理事長。我請教他台灣的森林事情 (相對於日本梅原猛的《森林的哲學》。他說,首先要了解日本的林地多是私有地,所以照顧得很好,反之,台灣的森林都是國有地,公務員不會珍惜的.....


    2020.5.11

    Today is the birthday of E.O. Wilson, legendary biologist and writer. Oliver Sacks was a lifelong admirer of Wilson’s books and scientific achievements, as well as his work to protect the biodiversity of the planet. Much like Dr. Sacks, he applies a scientific view to the human condition, and sees the wonder and interconnectedness of the natural world.
    Explore Wilson’s Half Earth Project here: https://www.half-earthproject.org/
    圖像裡可能有顯示的文字是「 "Nature holds the key to our aesthetic, intellectual, cognitive and even spiritual satisfaction." -Ε.Ο. WILSON Biologist, Founder of Conservation International 」


    http://hcbooks.blogspot.tw/2015/07/naturalist-by-e-o-wilson.html


    Half-Earth: Our Planet's Fight for Life


    http://hcbooks.blogspot.tw/2015/07/naturalist-by-e-o-wilson.html






    National Book Award Finalist. How did humanity originate and why does a species like ours exist on this planet? Do we have a special place, even a destiny in the universe? Where are we going, and perhaps, the most difficult question of all, "Why?"



    In The Meaning of Human Existence, his most philosophical work to date, Pulitzer Prize–winning biologist Edward O. Wilson grapples with these and other existential questions, examining what makes human beings supremely different from all other species. Searching for meaning in what Nietzsche once called "the rainbow colors" around the outer edges of knowledge and imagination, Wilson takes his readers on a journey, in the process bridging science and philosophy to create a twenty-first-century treatise on human existence—from our earliest inception to a provocative look at what the future of mankind portends.


    Continuing his groundbreaking examination of our "Anthropocene Epoch," which he began with The Social Conquest of Earth, described by the New York Times as "a sweeping account of the human rise to domination of the biosphere," here Wilson posits that we, as a species, now know enough about the universe and ourselves that we can begin to approach questions about our place in the cosmos and the meaning of intelligent life in a systematic, indeed, in a testable way.


    Once criticized for a purely mechanistic view of human life and an overreliance on genetic predetermination, Wilson presents in The Meaning of Human Existence his most expansive and advanced theories on the sovereignty of human life, recognizing that, even though the human and the spider evolved similarly, the poet's sonnet is wholly different from the spider's web. Whether attempting to explicate "The Riddle of the Human Species,""Free Will," or "Religion"; warning of "The Collapse of Biodiversity"; or even creating a plausible "Portrait of E.T.," Wilson does indeed believe that humanity holds a special position in the known universe.


    The human epoch that began in biological evolution and passed into pre-, then recorded, history is now more than ever before in our hands. Yet alarmed that we are about to abandon natural selection by redesigning biology and human nature as we wish them, Wilson soberly concludes that advances in science and technology bring us our greatest moral dilemma since God stayed the hand of Abraham.




    PBS NewsHour


    Through the years, E.O. Wilson has moved from small insects to big ideas. Now he's sharing a very big idea, one made more urgent by the problems of climate change.

    Biologist and Pulitzer winner E.O. Wilson has spent his life studying…
    PBS.ORG

    HARI SREENIVASAN: Next: Scientist and two-time Pulitzer Prize-winning author Edward O. Wilson first gained fame for his study of ants. Through the years, he’s moved from small insects to big ideas, and now a very big one, one made more urgent by the problems of climate change.
    Jeffrey Brown has our profile in his second report from Southern Alabama.
    E.O. WILSON, Author, “Half Earth”: I was just a 12-, 13-year-old boy, and it was just a wonderland to me.
    JEFFREY BROWN: Edward O. Wilson spent his formative years in Mobile, Alabama, looking for snakes and insects in the surrounding delta.
    E.O. WILSON: If I could, I would just do the same thing today that I did then, but it would look funny.
    (LAUGHTER)
    JEFFREY BROWN: The experience would shape him, as biologist, evolutionary theorist, naturalist, and at age 86 perhaps most important to him now conservationist.
    E.O. WILSON: What is man? Storyteller, mythmaker, and destroyer of the living world.
    JEFFREY BROWN: His new book, “Half Earth: Our Planet’s Fight For Life,” takes on nothing less than the survival of plant and animal life on earth.
    E.O. WILSON: Yearning to be more master than steward of the declining planet.
    JEFFREY BROWN: Wilson’s solution is in the title, setting aside half the Earth as natural habitat.
    We spoke beneath the old live oak trees at Fort Blakeley Historic Park, where Wilson’s great-grandfather fought in one of the last battles of the Civil War.
    Half Earth. Are you serious?
    E.O. WILSON: I’m serious. I know it sounds radical, but we must have it if we’re going to save most of the species remaining on Earth. And it’s easier to do than most people might think.
    JEFFREY BROWN: It sounds impossible. It sounds for some people crazy.
    E.O. WILSON: I was just going to use the word insane.
    JEFFREY BROWN: Yes.
    E.O. WILSON: Yes, it sounds that way, because they envision cutting the Earth into two hemispheres, one for us and one for the other 10 million species. But, no, we mean giving 50 percent or setting it aside, patches, some large wilderness areas, others far, far smaller, in order to make that amount of reserve area.
    JEFFREY BROWN: Your ideas on this and what should happen have gotten bigger and bolder.
    E.O. WILSON: Well, they have.
    My alarm went from yellow to red when I read the papers authored by large numbers of scientists and team efforts that showed just how far off the goal the conservation organizations were, how — all our efforts around the world in slowing down extinction rates.
    JEFFREY BROWN: One key to Wilson’s argument is how little we know of life on Earth, only two million species identified out of a total probably closer to 10 million, even as species go extinct at 1,000 times the normal rate, thanks chiefly to human population growth and corresponding habitat loss.
    Conservation efforts worldwide have thus far set aside a little more than 15 percent of the Earth for habitat. Wilson would triple that.
    E.O. WILSON: We would be taking a first step towards securing enough space and natural habitat to preserve, by my estimate, more than 80 percent of the species left. If we don’t do this, we’re going to go down to 50 percent or more in a fairly short period of time in this century.
    JEFFREY BROWN: Wilson is attempting such a thing right here, to give national protection, either a park or wildlife refuge status, to parts of the Mobile-Tensaw River Delta, one of the most biologically diverse areas in North America.
    There’s opposition in this conservative state. But Wilson is not deterred.
    E.O. WILSON: I think it’s a moral thing to do. I believe morality is going to enter very strongly into what I hope will be a shift of perception and precepts and reasoning about this, that we really should take extra measures to save the rest of life on Earth.
    And who are we, one species, to wipe out a majority of the species remaining that live with us on this planet just for — without even thinking about it, for our particular selfish needs?
    JEFFREY BROWN: Wilson acknowledges that the world’s population will continue to grow from its current 7.3 billion to around 11 billion, before leveling out. But he thinks advancements in technology will help shrink our ecological footprint.
    So what are the stakes?
    E.O. WILSON: The stakes are the future of life, the future of the living part of the environment.
    Mind you, we are beginning to make meaningful progress toward controlling the forces of climate change and of pollution. And the other parts of the nonliving environment that have been causing a large part of the destruction.
    If we allow the living part of the environment to disappear, for me, it would be by future generations regarded as one of the most catastrophic, even evil periods in human history, for our descendants to look back and say, they wiped out half or more of all of the rest of life on Earth, the variety of life on Earth.
    JEFFREY BROWN: A thoroughly depressing prospect. But to spend a day with Edward Wilson is anything but depressing.
    E.O. WILSON: Science needs to have a goal and actually achieve that goal. We really want to see on the front page of the newspaper scientists announce cure for cancer, or cure for lung cancer, shall we say?
    What galvanizes public support and puts spirit into it is to say, this is the goal that we must reach. Let’s set that goal, and let’s get there.
    JEFFREY BROWN: From Fort Blakeley Historic Park outside Mobile, Alabama, I’m Jeffrey Brown for the “PBS NewsHour.”



    Edward Osborne "E. O.Wilson FMLS[1] (born June 10, 1929) is an American biologist, researcher (sociobiologybiodiversityisland biogeography), theorist (consiliencebiophilia), naturalist (conservationist) and author. His biological specialty ismyrmecology, the study of ants, on which he is considered to be the world's leading expert.[2][3]
    Wilson is known for his scientific career, his role as "the father of sociobiology" and "the father of biodiversity",[4] his environmental advocacy, and his secular-humanist anddeist ideas pertaining to religious and ethical matters.[5] Among his greatest contributions to ecological theory is the theory of island biogeography, which he developed in collaboration with the mathematical ecologist Robert MacArthur, and which is seen as the foundation of the development of conservation area design, as well as the unified neutral theory of biodiversity of Stephen Hubbell.
    Wilson is (2014) the Pellegrino University Research Professor, Emeritus in Entomology for the Department of Organismic and Evolutionary Biology at Harvard University, a lecturer at Duke University,[6] and a Fellow of the Committee for Skeptical Inquiry. He is a Humanist Laureate of the International Academy of Humanism.[7][8] He is a two-time winner of the Pulitzer Prize for General Non-Fiction and a New York Times bestseller for The Social Conquest of Earth,[9] Letters to a Young Scientist,[9] and The Meaning of Human Existence.


    主な著書[編集]




    Anthill: A Novel, April 2010, W. W. Norton & Company, Inc 《蟻丘之歌》邱思華譯,台中 :晨星出版社

    --------

    Naturalist By "E. O." Wilson 回憶錄 (66歲,2015年86歲)《大自然的獵人:博物學家威爾森》----1997年,天下文化出版社的極盛年,初刷7000本,482頁,定價才380元。喜歡擅改原書名,也是其作風。金恆鑣先生的導讀《獨具慧眼的田野生物學家 》很可一讀。

    有哪位諾貝爾桂冠級的科學家,拿過報導文學的最高榮譽「普立茲」獎,而且還拿了兩次?誰擁有「社會生物學之父」、「生物多樣性之父」的雙料尊稱?誰能號稱全球研究螞蟻的泰斗?有誰能坐著邊聽老師講課、邊捉蒼蠅,平均每分鐘活捉一隻?
    答案的是  E.O.Wilson
    「演化生物學」是他命名的;「生物地理學」在他手中發揚光大;把人類視為社會性動物的「社會生物學」則由他開門立派,招來眾人踢館;威爾森還竭力推動攸關生態保育的「生物多樣性」理念,後來則成為地球高峰會的主旨;而「親生命性」概念的提出,更是威爾森急欲為保育倫理打下的恆久基石。
    本書是威爾森的「六十六自述」,充滿濃郁的散文韻味、自然野趣、機敏和深刻思想。「獵人」這回出手,依然不同凡響,《紐約時報書評》1994好書的榮銜,當之無愧!

    目錄

    • 導讀 獨具慧眼的田野生物學家 金恆鑣
    • 作者序 大自然,她不斷變化著
    • 第一部 南方之晨
      • 第一章 天堂海灘
      • 第二章 把小男孩托給我們
      • 第三章 角落裡的亮光
      • 第四章 神奇的小天地
      • 第五章 盡我職責
      • 第六章 阿拉巴馬之夢
      • 第七章 獵人
      • 第八章 南方再見
      • 第九章 前進熱帶
    • 第二部 說故事的人
      • 第十章 南太平洋巡禮
      • 第十一章 未知事物的形態
      • 第十二章 分子大戰
      • 第十三章 麥克亞瑟與地理生態學
      • 第十四章 佛羅里達珊瑚群島實驗
      • 第十五章 螞蟻
      • 第十六章 投效社會生物學
      • 第十七章 社會生物學大論戰
      • 第十八章 親切繽紛的生命
    • 附錄 延伸閱讀


    "The world's most evolved biologist."
    28分鐘

    E O Wilson has been described as the "world's most evolved biologist" and even as "the heir to Darwin". He's a passionate naturalist and an absolute world authority on ants. Over his long career he's described 450 new species of ants.

    Known to many as the founding father of socio-biology, E O Wilson is a big hitter in the world of evolutionary theory. But, recently he's criticised what's popularly known as The Selfish Gene theory of evolution that he once worked so hard to promote (and that now underpins the mainstream view on evolution).

    A twice Pulitzer prize winning author of more than 20 books, he's also an extremely active campaigner for the preservation of the planet's bio-diversity: he says, "destroying rainforest for economic gain is like burning a Renaissance painting to cook a meal".

    何家騏;朱耀光 Policing Hong Kong 1842~1969 (2012); 香港警察:歷史見證與執法生涯 2011

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     何家騏;朱耀光   Policing Hong Kong 1842~1969 (2012)





    香港警察:歷史見證與執法生涯
    ISBN13:9789620430961
    出版社:香港三聯書店
    作者:何家騏;朱耀光
    裝訂/頁數:平裝/292頁
    出版日:2011/05/01


    無人不成組織,要認識香港警隊,不妨從香港警察開始。

    警隊從香港開埠初年的草創期開始,走過荊棘滿途的歲月,全賴每個時代每位警務人員不斷累積的努力,從挫折中學習和成長,好不容易才走到今天。本書除了考證各種官方或非官方文獻,疏理出一條香港警隊的發展脈絡之外,還訪問了八十位來自不同年代、種族和崗位的退休警察,透過他們的工作點滴,見證香港警隊的演變。
    本書上篇講述警隊如何從混沌初開,經過日佔時期、六七動亂和改革,一直走至今天。下篇是五位警察的專訪,包括:前香港警務處退役同僚協會主席區鼎先生、前香港水警退休人員協會主席陳昌先生、前助理警務處長何信先生、前副警務處長馮兆元先生以及前警務處長李明逵先生。





    目錄


    鄧竟成序
    呂大樂序

    王耀宗序

    前言

    導言

    上篇:警隊變化


    第一章

    混沌初開:小島警隊的誕生

    第二章

    飄搖歲月:日佔時期的警隊

    第三章

    戰後重建:五六十年代的警隊

    第四章

    「六七動亂」:警隊最大的挑戰

    第五章

    改革契機:七十年代的警隊


    下篇:警察專訪


    第六章

    區鼎:前香港警務處退役同僚協會主席
    第七章

    陳昌:前香港水警退休人員協會主席


    第八章

    何信:前助理警務處長

    第九章

    馮兆元:前副警務處長

    第十章

    李明逵:前警務處長




    結語


    附錄一

    大事年表
    附錄二

    警隊的「第一」

    附錄三

    警隊職級表

    附錄四

    參考資料

    鳴謝


    白宮生活秘史The Living White House 1966

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    Lonnelle Aikman

    The Living White House (English) Hardcover – 1 1 月 1966


    作者 Lonnelle Aikman (Author), Bruce Catton (Introduction), & 1 更多










    The Living White House - 1st Edition/1st Printing
    Lonnelle Aikman

    A bright first edition/first printing in Fine condition in lightly chipped, Very Good dust-jacket; 143 pages.

    Trump 總統將重新界定法西斯? The Debate Over the Word Fascism Takes a New Turn Karl Polanyi on the Rise of Fascism and Market Economy. Fascism Edited by Roger Griffin/ fascismo:法西斯的威權人格;法西斯式的貪腐經濟 (南方朔)

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    The Debate Over the Word Fascism Takes a New Turn





    Credit....


    By Jennifer Szalai
    June 10, 2020, 2:24 p.m. ET


    On Tuesday last week, as police officers across the country deployed brutal tactics in response to protests over the killing of George Floyd, the former secretary of labor Robert Reich announced that his old vocabulary — crowded already with harsh words for President Trump — was making way for a new addition.

    “I have held off using the f word for three and a half years, but there is no longer any honest alternative,” Reich tweeted. “Trump is a fascist, and he is promoting fascism in America.”

    Reich wasn’t alone. Until last week, the journalist Masha Gessen was also a skeptic. Gessen had just published “Surviving Autocracy,” which lists “fascism” among the words that get thrown about in the American political conversation without sufficient precision. The day after the book’s publication date, Gessen wrote a short essay for The New Yorker commenting on what it meant when the president — enamored already of military parades and masked men in combat attire — told governors to crack down on protesters. “Whether or not he is capable of grasping the concept,” Gessen wrote, “Trump is performing fascism.”

    It was a notable turn. The word fascism is so loaded that even some of the president’s most vociferous detractors had long been reluctant to use it. Derived from the Italian for “bundle” or “group,” fascism was born at the end of World War I in Italy, adopted by the Nazis in Germany, and soon became such a widespread epithet that George Orwell decided the closest synonym to “this much-abused word” was “bully.” Ever since Trump became the Republican Party’s standard-bearer in 2016, the term has been floated and then dismissed for being too extreme and too alarmist, too historically specific or else too rhetorically vague.


    Some observers countered that it would be reckless to write off the possibility of a nationwide slide into fascism, even if, in the initial years of the Trump presidency, it was too early to tell. A number of books published in 2017 and 2018 essentially told Americans to watch out. The ham-fisted slogans, the crude racism, the lurid nationalism, the venal corruption — all of it could lay the groundwork for what the historian Timothy Snyder, in “On Tyranny” (which he followed with “The Road to Unfreedom” a year later), called “a confused and cynical sort of fascist oligarchy.”

    Even the positive reviews of Snyder’s books exuded a certain discomfort with his conclusions, finding them so unthinkable that they were “surely” exaggerated and “overwrought.” But when Jason Stanley, a philosophy professor at Yale, published “How Fascism Works” in 2018, he suggested that not being worried enough was itself a worrying sign. Trump’s rhetoric was alarming, yes, but his administration was also separating migrant children from their parents and placing them in detention centers that were hidden from public view, which Stanley compared to concentration camps in Germany in the 1930s.

    “The word ‘fascist’ has acquired a feeling of the extreme, like crying wolf,” Stanley writes — not because Americans are so unfamiliar with fascist tactics but because we are becoming inured to them. “Normalization of fascist ideology, by definition, would make charges of ‘fascism’ seem like an overreaction.” Our senses have been dulled by exposure. The United States has had a long history of pro- or proto-fascist sentiment, including the terrorism of the Ku Klux Klan, the America First movement of the interwar years and the Jim Crow laws that Adolf Hitler cited as an inspiration. “Fascism is not a new threat,” Stanley writes, “but rather a permanent temptation.”

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    ImagePresident Trump outside St. John’s Church in Washington, D.C., on June 1.Credit...Doug Mills/The New York Times


    Writing in The New York Review of Books last month, the historian Samuel Moyn took issue with Stanley’s book, and with fascism analogies in general. Moyn’s argument, like a recent Op-Ed by Ross Douthat in The Times, rests on a straightforward premise: If the president were truly keen to crush democracy and impose a dictatorship, then a global pandemic should have provided him with the ideal opportunity. Trump, they argue, had chosen instead to do basically nothing. “It is surely fodder for some future ironist that, after our era of fearing Trump’s actions,” Moyn writes, “he appears set in the current pandemic to go down in history for a worse sin of inaction.”



    It’s true that Trump has so far shown no interest in the kind of painstaking, collaborative, scientific action that would stand a chance of arresting a public health crisis. But the observation that Trump was squandering a chance to consolidate power seemed to assume a particular understanding of power, more attuned to shortages of N95 masks than enthralled by helicopters and pepper balls. It also played down what the president did do during the pandemic, such as restrict immigration even further and fuel attacks on Asian-Americans by insisting on the term “Chinese virus.”

    Not to mention that the timing for Moyn’s essay was unfortunate; it appeared on May 19, nearly two weeks before Trump was on a call with governors, threatening to send in the military if they didn’t “dominate” protesters who were calling for an end to police brutality. That call happened to take place on the same day that protesters were tear-gassed so that the president could pose in front of a church.

    But the critique of fascism analogies runs deeper than whatever it is Trump says or does. Moyn suggests that crying fascism obscures the extent to which Trump is a thoroughly American creature while also exonerating the establishment rot that allowed him to flourish in the first place. Corey Robin, in an updated edition of his book “The Reactionary Mind,” has argued something similar. Both Robin and Moyn seem animated by a similar suspicion — that fascist analogies ultimately serve centrists trying to gin up fear among the left, pushing progressives to settle for expedient political choices by overstating the strength of a floundering right.

    Robin cites a modern classic by the historian Robert O. Paxton, “The Anatomy of Fascism,” to attest that what made the fascism of Mussolini and Hitler so potent was its youth and its novelty, an advantage forsaken by a lumbering and nostalgic Trump. But one of the most striking aspects of Paxton’s book, which was published in 2004, is how much attention he shines on the circumstances that allowed for fascism’s emergence in the early 20th century and its subsequent rise.

    Paxton wasn’t laboring under the same conditions as current writers, who get drawn into endless debates over whether Trump is or is not a fascist. Historically, fascist movements hardened into fascist regimes when given the opportunity by enfeebled conservative elites trying to cling to power, who resort to bringing in an outsider to rile up the base. It was only after the Nazis started losing electoral support that Hitler cut a back-room deal to be appointed chancellor. Like a vampire, Hitler had to be invited into the house.

    And maybe it’s telling that Americans have traditionally been so preoccupied with a nightmare scenario that has “the coverlet of European fascism draped over it,” as Gerald Early put it recently in the journal The Common Reader. Early was reflecting on the novelist Sinclair Lewis, whose fictional depiction of Nazism in the United States — “with all its brutal and arbitrary violence, police state surveillance and unrelenting incarceration” — bore more than a passing resemblance to the historical reality of American slavery.

    Lewis had a “keen awareness of race in America” and was probably thinking ironically when he decided to call his 1935 novel “It Can’t Happen Here,” Early writes. “He knew, as any aware American must, that it already had.”
    Follow Jennifer Szalai on Twitter: @jenszalai.


    Chu-po Chen 分享了 1 條連結



    A spectre is haunting Europe and the world — the spectre of Fascism (veiled as defensive democracy and common-sense patriotism) and authoritarian…
    ECONOMICSOCIOLOGY.ORG

    蘋論:閱兵法西斯主義

    2015.9.23
    中國本月3日在天安門舉行反法西斯紀念抗日戰爭大閱兵,由於連戰出席,引起莫大的爭議,餘波至今蕩漾不息。
    台灣社會只在意連是否閱兵,對中國官方號稱的「反法西斯」理念毫無興趣,也對中國使用法西斯最耽溺的大閱兵儀式壯大法西斯來反法西斯,造成內在邏輯的自我逆反,演化出21世紀初最大的二律背反之悖論。這種演化非常不祥,邏輯矛盾,自我背反,可能失去自我的控制而導致如墨索里尼、希特勒、日本軍閥的「民族法西斯主義」,其危害大矣哉。
    西方有段說法相當傳神:當牠走路像鴨子、長得像鴨子、叫聲像鴨子,牠不會是別的東西,牠就是鴨子。當一個國家儀式像法西斯、行為像法西斯、語言像法西斯、姿態像法西斯,它不會是別的東西,它就是法西斯,儘管它拿社會主義、中國模式等漂亮的布幕遮住後面法西斯怪物的臉,卻仍然到處露出法西斯的黑色衣角。中國也許不是那麼純種的法西斯,但它們把狂熱民族主義的基因和法西斯基因混合改造,誕生出一個雜種醜怪的民族法西斯主義,比純種法西斯更厲害恐怖,也讓民族主義變種成集體歇斯底里、殘暴嗜血的原始部落式復仇民族主義。兩相結合,遠比連戰閱兵更嚴重百倍。 
    我們不能學洪秀柱對民粹這個專有名詞做無限大解釋,只要她反對的就統稱民粹。法西斯的拉丁文字源是fasces,是古羅馬做為護民官象徵儀式所用的「棒束」,意指團結,特別是領導者意志指揮下的團結。所以法西斯都強調領袖意志的「領袖崇拜」,並從根本否定了人民個體的自主性。這段定義很耳熟,像極了對岸從毛到習的政治文化,簡直絲絲入扣。 
    法西斯藏在每個人的基因裡。法哲傅柯在〈反伊迪帕斯序〉中寫道:「最後來臨絕不能輕視的最大敵人……就是法西斯。這裡說的法西斯,不只是歷史上的法西斯─動員大眾的欲望並能有效運用─希特勒與墨索里尼的法西斯,同時也是存在我們所有人中,存在我們頭腦裡和我們日常行動中的法西斯,更是使我們愛權力、渴望支配並詐取我們權力基礎的法西斯。」 
    華人從習近平、馬英九到親友鄰居,都在基因裡帶有濃重的法西斯的威權人格,三位總統參選人也十分嚴重,要警惕自覺啊! 

    ファシズム - Wikipedia

    ja.wikipedia.org/wiki/ファシズムTranslate this page
    ファシズム(英: fascism、伊: fascismo)は、イタリアのムッソリーニと国家ファシスト党(以下ファシスト党)が提唱した思想や政治運動、および1922年から1942年までの政権獲得時に行った実践や体制の総称である。広義にはドイツのナチズムなど他国の類似の ...

    立命館大名誉教授の山口定さん死去 ファシズム研究

    2013年11月20日04時55分

    山口定さん(やまぐち・やすし=立命館大名誉教授、大阪市立大名誉教授・政治学)が17日、多臓器不全で死去、79歳。通夜は21日午後7時、葬儀は22日午前11時から奈良市佐保台1の3574の4のならやま会館で。喪主は長男和生さん。
     ファシズム研究で知られる。著書に「ファシズム」「政治体制」など。


    2011.1
    Fascism
    ISBN13: 9780192892492ISBN10: 0192892495Paperback, 432 pages
    Jul 1995, In Stock

    See more from the series


    Description

    No political ideology has had a greater impact on modern history, or caused more intellectual controversy, than fascism. It has been identified with totalitarianism, state terror, fanaticism, orchestrated violence, and blind obedience, and was directly associated with the horrors of the Second World War, which left more than 40 million dead and introduced inconceivable notions of inhumanity. The mere mention of the term today evokes visions of atrocities and ineffable cruelty. Yet, the end of the twentieth century appears to have spawned a renewed interest in fascism, suggesting that it is time for us to examine our understanding of its ideas, ideals, and inequities.
    Edited by Roger Griffin, described as 'the premier theorist {of fascism} of the younger generation' (Contemporary European History ), this important Oxford Reader demonstrates why fascism strongly appeals to many people, and how dangerous the result of this fascination may be. It includes a wide selection of texts written by fascist thinkers and propagandists, as well as by prominent anti-fascists from both inside and outside Europe, before and after the Second World War. Included are texts on fascism in Germany and Italy, on the abortive pre-1945 fascisms in more than a dozen countries around the world, on reactions to fascism, and on post-war and contemporary fascism. With contributions from writers as diverse as Benito Mussolini and Primo Levi, Joseph Goebbels and George Orwell, Martin Heidegger and Max Horkheimer, this compelling anthology provides insight into the depths and breadths of the destructive repercussions of fascist ideology. In no other volume will students of political theory, history, sociology, and psychology have access to such a compendium of key texts on this simultaneoulsy intriguing and frightening political force.

    Product Details

    432 pages; ISBN13: 978-0-19-289249-2ISBN10: 0-19-289249-5

    About the Author(s)

    Roger Griffin is the author of several studies of fascism, including The Nature of Fascism (1991, 1993), and contributor to Contemporary Political Ideologies (1993). He is Principal Lecturer in the Department of History at Oxford Brookes University.

    Table of Contents

    General Introduction
    PART I: FASCISM IN ITALY
    Introduction
    A. Fascism as an Oppostion Movement
    Introduction
    i. Pre-1918 Tributaries of Fascism
    1.The War as a Source of National Renewal , Giovanni Papini
    2.The War as a Proletarian Cause , Revolutionary Syndicalism
    3.The War as the Catharsis of Italian Society , Filippo T. Marinetti
    4.The War as a Revolutionary Event , Benito Mussolini
    5.'Trenchocracy' , Benito Mussolini
    6.The Futurist Vision of the New Italy , Political Futurism
    7.Alfredo Rocco
    8.The War as the Midwife of a New Italian People , Roberto Farinacci
    ii Fascism in Opposition 23 March 1918 - 27 October 1922
    9.San Sepulcro Fascism , Benito Mussolini
    10.The Regency of Fiume as the Harbinger of the New Italy , Gabriele D'Annunzio and Alceste De Ambris
    11.The Nationalist Blueprint for a New Italy , The Italian Nationalist Association
    12.The Squadistri as the Revolutionaries of the New Italy , Mario Piazzesi
    13.Fascism as the Victory of the New Italy , Luigi Federzoni
    14.The Incorporation of the Peasantry into the Italian Nation , Benito Mussolini
    15.Fascism's Myth: The Nation , Benito Mussolini
    iii. The Coalition Government 30 October 1922 - 3 January 1925
    16.A Futurist Portrait of the New Prime Minister of Italy , Filippo T. Marinetti
    17.The New State Born of Syndicalism and Statism , Sergio Panunzio
    18.Fascism's European Mission , Curzio Malaparte
    19.The End of the Liberal Regime , Benito Mussolini
    B. Fascism in Power January 1925-April 1945
    Introduction
    i. The Formative Years of the 'Totalitarian' Regime January 1925-February 1929
    20.Fascism as a Total Conception of Life , Giovanni Gentile
    21.Fascist Mysticism , Italian Fasci Abroad
    22.Fascism as the Creator of the Third Italian Civilization , Benito Mussolini
    23.The Leader as the Voice of the Reborn Race , Augusto Turati
    24.The Strength in Numbers , Benito Mussolini
    25.The Anti-Modernist Aesthetic of Strapaese , Mino Maccari
    26.The Modernist Aesthetic of Novecento , Marco Bontempelli
    27.The University as the Incubator of a Fascist Elite , Giuseppe Bottai
    28.The Achievements of the Fascist Revolution , Benito Mussolini
    ii The Period of Consolidation 1930-1934
    29.Towards a Fascist Europe , Asvero Gravelli
    30.The Role of Youth under Fascism , Giovanni Giurati
    31.Fascist Corporativism as the Key to a New International Order , Ugo Spirito
    32.Mussolini's Century , Giuseppe Bottai
    33.Going to the People , Achille Starace
    34.The Birth of a New Civilization , Benito Mussolini
    iii Imperialist Expansion and Alignment with Nazism 1935-1939
    35.The Vital Need for Empire , Benito Mussolini
    36.Two Marching Songs of Fascist Soldiers Abroad
    (a) From the Abyssinian Campaign
    (b) From the Spanish Campaign
    37.The Autarkic Mentality and the New Fascist Order , Edmondo Rossoni
    38.Blood Brothers: Fascism and Nazism , Benito Mussolini
    39.The Introduction of Fascist Racial Policy , Gioacchino Volpe
    iv Fascism at War 1940-1943
    40.People of Italy! Run to your Arms! , Benito Mussolini
    41.Safeguarding Europe's Birthright against the Jewish Conspiracy , Alfredo Cioffi
    42.The New Europe which will Arise from the Axis Victory , Carlo Costamagna
    v The Italian Socialist Republic 1943-1945
    43.Fascism Reborn , The Fascist Republican Party
    44.The Greatest Massacre of All Time: Democracy , Benito Mussolini
    45.What Might Have Been: Axis Europe , Benito Mussolini
    PART II: FASCISM IN GERMANY
    Introduction
    A. German Fascism before the Nazi Seizure of Power
    Introduction
    i Pre-1914 Precursors of German Fascism
    46.The Redemptive Mission of German Culture , Richard Wagner
    47.The Need to Transcend Liberalism , Paul De LaGarde
    48.The Rebirth of German Genius , Julius Langbehn
    49.Planting the New Reich , Stefan George
    50.The Need for the Nation to be Healed , Theodor Fritsch
    ii Non-Nazi German Fascisms
    51.The Resurgence of the West , Otto Dickel
    52.The Eternal German Reich , Arthur Moeller Van Den Bruck
    53.The Organic German Nation , Edgar Jung
    54.The Great War: Father of a New Age , Ernst Junger
    55.The Germany of the Freikorps , Ernst Von Salomon
    56.The Emergence of a New Type of Human Being , Ernst Junger
    57.The Prussian Spirit: Salvation of the White Race , Oswald Spengler
    58.The German Knight as the Key to Europe's Recovery , Otto Strasser
    iii Nazism before 1933
    59.The Mission of the Nazi Movement , Adolf Hitler
    60.Barren Trees , Franz Pfeffer Von Salomon
    61.'Christ-Socailism' , Joseph Goebbels
    62.Let there be Light , Gottfried Feder
    63.Motherhood and Warriorhood as the Key to a National Socialism , Gregor Strasser
    64.Nordic Thinking and the German Rebirth , Hans F.K. Gunther
    65.Breeding a New Nobility , R. Walther Darre
    66.The New Human Synthesis , E. Gunther Grundel
    B. German Fascism in Power 1933-1945
    Introduction
    i The Establishment of the Third Reich 1933-1935
    67.German Rebirth , Alfred Rosenberg
    68.The Third Reich as Savior of the West , Hermann Goering
    69.The Total Revolution of National Socialism , Joseph Goebbels
    70.The New Breed of German , Gottfried Benn
    71.The New German Woman , Paula Siber
    72.The Legal Basis of the Total State , Carl Schmitt
    73.The Place of Art in Germany's Political Reawakening , Adolf Hitler
    ii The Period of Consultation 1936-1939
    74.Soldierly Economics , Werner Daitz
    75.The Joy of the National Socialist Economy , Robert Ley
    76.The Expansionary Spirit of a Rejuvenated People , Paul Ritter
    77.Nazism's World Crusade against the Jews , Hammer Press
    78.The Divine Mission of the SS , Heinrich Himmler
    79.The Role of Youth in Perpetuating the Third Reich , Willi F. Konitzer
    80.The Successful Cleansing of German Culture , Helmuth Langenbucher
    81.National Socialism as the Custodian of European Being , Martin Heidegger
    82.The Third Reich as the Cure for the European Sickness , Christoph Steding
    iii The Third Reich at War 1939-1945
    83.The New European Order , Paul Herre
    84.A National Socialist Common Market , Hans S. V. Heister
    85.Improving the Stock , Walter Gross
    86.The True Meaning of the War , Joseph Goebbels
    87.The Ultimate Turning-Point: Total War , Robert Ley
    88.Moral Dilemmas , Heinrich Himmler
    89.Heimat , Schwarzes Korps
    90.The Rebirth of National Socialism , Adolf Hitler
    PART III: ABORTIVE FASCISMS 1922-1945
    Introduction
    A. European Fascisms
    i. Britain
    91.Christ, Nietzsche, and Caesar , Oswald Mosley
    92.Towards a Fascist Europe , Oswald Mosley
    93.A Corporate Britain , Alexander Raven Thomson
    94.Britain Awake! , E.D. Randell
    95.A Spiritual Typhus , Arthur Kenneth Chesterton
    96.Hitler Shows the Way , William Joyce
    ii Ireland
    97.The New Corporate Ireland , Eoin O'Duffy
    iii Spain
    98 Ramiro Ledesma Ramos.The Voice of Spain
    99.Total Feeling , Jose Antonio Primo de Rivera
    100.Bread and Justice , Jose Antonio Primo de Rivera
    101.A New Breed of Spaniards , Antonio Vallejo-Nagera
    iv Portugal
    102.The Wind of Change , Rolao Preto
    103.Ersatz Fascism , Rolao Preto
    v France
    104.Empty Portfolios , George Valois
    105.Saving France , Jacques Doriot
    106.The European Revolution and the New State , Marcel Deat
    107.The Rebirth of European Man , Pierre Drieu La Rochelle
    vi Belgium
    108.The Revolution of Souls , Leon Degrelle
    109.Fascism's Century , Jose Streel
    vii Norway
    110.The Nordic Revival , Vidkun Quisling
    111.A Greater Norway , Vidkun Quisling
    viii Finland
    112.The Battle for the New Finland , Lapua
    113.The Revolution of the Finnish Heart , Elias Simojoki
    ix Estonia
    114.A New Estonia , Evl
    x Latvia
    115.A Latvian Latvia , Gustavs Celmin
    xi Romania
    116.The Romanian Legionary's Mission in Spain , Ion Mota
    117.The Resurrection of the Race , Corneliu Codreanu
    xii Hungary
    118.Hungarism , Ferenc Szalasi
    B. Non-European Fascisms
    i. South Africa
    119.The Reawakening of the Boerevolk , Ossewabrandwag
    ii Chile
    120.Chilean Action and National Regeneration , Carlos Keller
    121.The Soul of the Race , Jorge Gonalez
    iii Brazil
    122.A Fourth Era of Humanity Dawns , Plinio Salgado
    123.The Soul of the Nation Awakens , Plinio Salgado
    iv Japan
    124.The Need for a Totalitarian Japan , Nakano Seigo
    125.Write Your Own Mein Kampf , Nakano Seigo
    PART IV: THEORIES OF FASCISM
    Introduction
    A. Reactions to Fascism 1920-1945
    Introduction
    i Ambivalent or Positive Reactions to the Spread of Fascism
    126.Black Sheep , Vilfredo Pareto
    127.A Plague of Amateur Mussolinis , Kenneth Roberts
    128.A Sunny Disposition , Robert Michels
    129.The Italian Volksstaat , Johann W. Mannhardt
    130.The Italian Experiment , Erwin von Beckerath
    131.To Each Country its Own Fascism , James Strachey Barnes
    132.The Makers of Europe , Giuseppe Borgese
    133.A Sense of Humor , Sir Charles Petrie
    134.A Bad Good Thing , H.G. Wells
    ii Interpretations of Fascism by Marxists
    135.Three Comintern Responses to Fascism
    (a) Opening the Door to Fascism
    (b) White Terror
    (c) Fruit of the Womb
    136.Erroneous Definitions , Palmiro Togliatti
    137.The Purging Fires of Fascism , R. Palme Dutt
    138.The Return of the Dark Ages , E. J. Strachey
    iii Democratic Critiques of Fascism
    139.Tribal Loyalties , G.D.H. and M.I. Cole
    140.Dragon's Teeth , R.A. Brady
    141.The Hopeless Task , Karl Polanyi
    142.Rabbits Ruled by Stoats , George Orwell
    143.Black Magic , Peter Drucker
    144.The Iron Heel , Max Horkheimer
    iv Four Wartime Analyses of Fascism
    145.Forcing Elephants into Foxholes , Wilhelm Reich
    146.The Fear of Freedom , Erich Fromm
    147.Market Forces , Harold Laski
    148.Rationalism Debunked , Talcott Parsons
    B. Post-War Judgements on Fascism
    Introduction
    i Some Approaches to Fascism
    149.Paradigms of Fascism , Bernt Hagtvet and Stein Larsen
    a. Marxist Approaches
    150.The View From Moscow , A Soviet Political Dictionary
    151 Joachim Petzold.The View from East Germany
    152.The View of a Western Marxist , Martin Kitchen
    b. Fascism as the Product of Structural Forces
    153.Extremism of the Centre , Seymour M. Lipset
    154.Defective Nation-Building , Bernt Hagtvet and Stein Rokkan
    155.Redemptive Potential , Geoffrey Eley
    c. Psycho-Historical Approaches
    156.Fear and Destructiveness , The Frankfurt School
    157.Making Sense , Gerald M. Platt
    158.Raising the Dead , Klaus Theweleit
    d. Modernization Theories
    159.Blood and Death , Barrington Moore
    160.Utopian Anti-Modernism , Henry A. Turner Jun
    161.Fascist Modernity , Emilio Gentile
    ii Some Individual Theories of the Fascist Minimum
    162.Resisting Transcendence , Ernst Nolte
    163.The Total Charismatic Community , A. James Gregor
    164.The Latecomer , Juan B. Linz
    165.Verbal Revolutionarism , Renzo de Felice
    166.A Mulish Concept , Gilbert Allardyce
    167.A Third Way , George L. Mosse
    168.A New Nationalist Authoritarian State , Stanley Payne
    160.A New Civilization , Zeev Sternhell
    170.The New Synthesis , Roger Eatwell
    PART V: POST-WAR FASCISMS
    Introduction
    i Verdicts on the 'Fascist Era' from Veteran Fascists
    171.Fascism: Myth and Reality , Julius Evola
    172.The Third Reich: The Triumph of the Demagogues , Ernst Niekisch
    173.Lenin was Right , Maurice Bardeche
    174.The Ideals of the Fascist Era , Leon Degrelle
    175.The Lunacy of Fascism and Nazism , Arthur Kenneth Chesterton
    176.Hubris and Miscalculation , Oswald Mosley
    ii Discourses of Post-War Fascism
    (a) Universal Nazism
    177.The Revival of National Socialism , Colin Jordan
    178.A Racist Catechism , The West European Foundation
    179.How to Save Europe , Guy Amaudruz
    (b) Holocaust Denial
    180.The Miracle of the Telephone Box , Leon Degrelle
    181.A Monumental Lie , Thies Christophersen
    182.An Ever-Flowing River , John Day
    (c) Historical Revisionism
    183.The Bicycle Thief , David Irving
    184.Laying it on the Line , David Irving
    185.From Class War to Race War , Ernst Nolte
    186.Truth and Fiction , Gerhard Frey
    (d) Eurofascism
    187.The European Revolution , The Malmo Manifesto
    188.The True Europe's Revolt against the Modern World , Juliys Evola
    189.Europe a Nation , Oswald Mosley
    (e) The New Right
    190.Regenerating History , Alain de Benoist
    191.The Metapolitical Rebirth of Europe , Pierre Krebbs
    192.A Breath of Fresh Air , Michael Walker
    (f) The Conservative Revolution
    193.German Nihilism , Armin Mohler
    194.The Will to Modernity of the Conservative Revolution , Louis Dupeux
    195.Heroic Realism , Robert Steukers
    (g) Third Position
    196.The European Genius and the Rediscovery of the Sacred , Adolfo Morganti
    197.The Political Soldier and the National Revolution , Derek Holland
    198.A Community of Destiny , Groupe Union Defense
    iii Contemporary Expressions of Fascism
    (a) Ideological Fascism
    199.Songs for Europe , Skrewdriver
    200.The Immortal Principle , Hartwig Huber
    201.The Greening of Nazism , Padraig Cullen
    202.Spiritual AIDS , John Tyndall
    (b) Militant Fascism
    203.Blood, Soil, and Faith , L'Oeuvre Francaise
    204.The Cleansing Hurricane , William Pierce
    205.Patriots of the World Unite! , Paymat
    206.God's Own , Afrikaner-Weerstandsbeweging
    207.The Romanian Ethnocratic State , Noua Dreapta
    (c) Electoral Fascism
    208.Living Stones of the New Spain , Frente Nacional
    209.The European Home , Nationaldemokratische Partei Deutschlands
    210.Saving the Nation , British National Party
    211.For a New Italy , Movimento Sociale Italiano
    212.King Kong Meets his Match , Russia's Liberal Democratic Party
    EPILOGUE
    213.The Deadly Trunk of Fascism , Primo Levi
    Select Bibliography
    Acknowledgements
    Index


    ---
     http://www.cw.com.tw/blog/blogTopic.action?id=9&nid=2228

    法西斯式的貪腐經濟

    作者:南方朔  2012/08/10

    黨官僚、政客互喬利益,集結勢力。
    這種少數人綑綁的利益體,卻傷害了大多數人民。
    古羅馬時代,執政官巡行時,走在前面的開道人員中,一定有一個官員手持「束棒」(fasces),代表最高權威。「束棒」是一束櫸木棍,它由紅帶子綑綁在一起,中間則是一個斧頭柄。
    「束棒」的象徵意義是,老百姓乃是散漫的木棒,它只有和代表權威的斧頭綑綁、團結在一起,才有力量。
    一九一九年,「束棒」的意義被義大利的墨索里尼發揚光大,成了二十世紀上半期,對全球影響很大的法西斯。
    法西斯既是政治運動,也是經濟運動。法西斯認為,國家的經濟活動乃是政治的黏著劑。因此,不但要發達國家資本,甚至要透過政府的經濟角色,將散漫的社會綑綁起來。
    於是,黨官僚及政客透過運作,分配經濟資源和公共契約給自己人的公司。透過利益結合,將大家綑綁在一起,遂被認為是一種正當的方法。這也是法西斯體制下,黨官僚及政客致力於「喬利益」的原因。
    這種「國家社會主義」的政治,由於受到經濟利益影響,當然系統性的腐化橫行。而它的經濟受到政治的干擾,當然成本大、效率差。
    在二十世紀上半葉,國際競爭還不嚴重,因此它能良好運作。只是到了二十世紀後期,國際競爭激烈,而且民主政治深化。這種喬利益的制度,在經濟上,因成本過大而難以為繼;而在政治上,則普遍被認為是貪腐。
    但在以前的法西斯國家,這種喬利益的方法,的確是被當作政治的黏著劑。不但歐洲法西斯國家:義大利、西班牙如此,亞洲及拉丁美洲具有法西斯特性的國家也如此。


    前幾年,我讀了當代反貪專家李維(Michael Levi),和尼爾肯(David Nelken)所編的論文集《政治的貪腐及貪腐政治》。他們指出,歐洲法西斯經濟裡,那種黨官僚及政客喬事情、抽佣金的方式,乃是近代政治最壞的傳統。它造成貪污的體制化。
    這也是一九九○年代,全球反貪都把「喬事情、分利潤」換成「政治獻金」列為最大重點的原因。
    因此,對法西斯經濟的運作模式,世人應加強反省。法西斯主義強調國家整體利益,以不自由、不民主的方式,選擇性地瓜分國家利益,靠著利益共享,把這些人綑綁在一起。
    但任何人都知道,這種綑綁可以綁出很大的勢力,但綁不成一個國家。它所造成的貪腐、無效率,反而會傷害到沒有綁在一起的大多數人民。
    法西斯的這種喬利益、綁利益的運作方式,乃是歐洲許多有法西斯傳統的國家,如義大利、西班牙、希臘等,每況愈下的主因。
    二十世紀上半葉,法西斯的政治及經濟思想曾影響到許多後進國。當時的中華民國,即很多事都學法西斯,在經濟上影響極大。瓜分利益、喬國家的採購契約,即是法西斯時代的殘餘。這也是中華民國轉型最需要揚棄的壞習慣!
     


    陳洪綬(1598-1652)

    $
    0
    0
    以後會有大補充


    國立故宮博物院 National Palace Museum


    本季的 造型與美感-中國繪畫選粹 特展,精選多幅精彩的全新展件,正於本院北部院區210陳列室展出,歡迎所有朋友蒞臨欣賞~

      附圖這件【古木雙鳩圖】出自明朝畫家陳洪綬之筆(他曾為許多名著如《西廂記》、《水滸傳》、《九歌》等繪製不少插圖,是中國最早有名望的插圖畫家。這些插圖刻版印刷,對中國後來的版畫藝術也有很大的影響)。

      陳洪綬擅長各種題材,無論是人物、花鳥,件件精彩;畫中雙鳩棲於老樹之上,焦墨大筆點苔,用色甚淡,呈現活靈活現的秋天荒野趣味。

    ****************************************

    造型與美感-中國繪畫選粹(北部院區)⋯⋯【明 陳洪綬 古木雙鳩圖】

    The Art and Aesthetics of Form: Selections from the History of Chinese Painting

    【Pair of Doves on an Old Tree】(Northern Branch)

    Chen Hongshou (1599-1652), Ming dynasty

    Hanging scroll, ink and light colors on silk, 141 x 46.5 cm

    展期(Dates):2016/07/01~2016/09/25

    畫作賞析:

      陳洪綬(1598-1652),浙江諸暨人。字章侯,號老蓮;順治元年(1644) 後,自稱悔遲。人物、花鳥無不精妙。

      老樹畫禿,不畫細枝,雙鳩棲於其上。樹後大葉喬木一株,樹下襯以荊棘坡石。古木枝幹圓勁有如篆籀,坡石起伏頓挫,皴法流暢靈動。綾本光潔,焦墨大筆點苔,用色甚淡。秋色荒寒野趣,躍然紙上。

      Chen Hongshou (style name Zhanghou, sobriquet Laolian), a native of Zhuji in Zhejiang, took the name Huichi ("Regretfully Late") after the fall of the Ming dynasty in 1644. He was skilled in all subjects of painting, including figural and bird-and-flower themes.

      Depicted in this hanging scroll is a bare old tree with two doves perched on it. Behind it is a broadleaf tree and brambles on the slope below. The branches and trunk of the old tree feature rounded solid lines like seal script, the rise and fall of the slope rendered with texturing that is fluid and animated. Painted on satin, it also includes "moss dots" in large strokes of scorched ink, the coloring also very light. The hues of autumn and a hint of winter come alive in this painting.

      陳洪綬(1598-1652)、浙江諸暨(現在の浙江省諸暨市)の人。字は章侯、号は老蓮。順治元年(1644)以降は悔遅と自称した。人物画と花鳥画で優れた作品を残した。

      葉の落ちた老木に細い枝はなく、樹上に2羽のハトが羽根を休めている。その背後に大きな葉をつけた喬木があり、根元に荊棘が生えている。古木の幹と枝は丸みがあり、篆文や籀文のようである。起伏に富んだ斜面と岩の皴法は滑らかで動感がある。綾は美しい艶がある。苔点は焦墨大筆によるもので、色遣いはごく淡い。荒涼とした秋の野趣に満ちている。

    http://zh.wikipedia.org/wiki/%E9%99%88%E6%B4%AA%E7%BB%B6
    陳洪綬

    陳洪綬自畫像,1635年
    本名字章侯
    出生1598年
    浙江省紹興諸暨
    逝世1652年
    領域人物、山水、花鳥畫,版畫
    影響於任伯年
    陳洪綬(1598年-1652年),章侯老蓮、雲門僧、遲雲、弗遲、悔遲、悔已遲、悔僧、遲和尚浙江省紹興諸暨人,中國明代畫家






    今天寫陳洪綬“何以至今心愈小,只因以往是非多”




    無意間買『酒牌』山東畫報,2005
    這包括『博古葉子』、『列仙酒牌』、『酣酣齋酒牌』。現代印刷固然清楚,不過,品質不見得比以前的還好…….話說回來,『酒牌』我初見。
    http://www.books.com.tw/exep/prod/china/chinafile.php?item=CN10069296

    酒 牌,又稱葉子,起源于唐代的葉子戲,至明清而大盛,是古人飲酒行令以助興的佳品。略似我們今天的紙牌,牌面上有人物版畫、題銘和酒令,由于繪制精妙寓有深 意,行令時抽牌按圖解意而飲,往往得酒外之趣。依令勸罰,不惟佐酒助興、活躍氣氛;抑且讀圖解語,別有一種風流風雅、睿智雋永,給飲宴融入了濃濃的文化意 趣。同時,作為一種繪畫形式,酒牌流入民間,漸入雅俗共賞之境界,藝術上也達到了頂峰,又兼圖文並茂,有深邃的文化內容,是近現代藝術品欣賞和收藏的精 品。本書選《博古葉子》、《列仙酒牌》、《酣酣齋酒牌》,為現存酒牌中代表作品,與酒牌常用的《水滸》、《西廂》題材不同,其中名賢神仙故事或有生僻,故 逐一解說,並將其中題銘與行酒約令一一辨明。
    非:【維多利亞公園市場 Victoria Park Market 該市場内設有3個餐廳(持有酒牌)和一個小吃廣場。】

    是:『酒牌就是古語裡常說的"葉子",初始於唐朝的葉子戲,類似於 畫片,是古人們湊在一起吃吃喝喝時調節氣氛用的。一般酒牌上都畫著人物,寫著題銘和酒令,大多與帝王將相、才子佳人或神仙鬼怪的典故有關。玩的時候人們從 一堆酒牌中 ..』『天啓5(1625)年から崇禎初頭頃(1630頃)の作と推定される[10]『水滸葉子』は陳洪綬の版画作例では初期に位置する、販売用に制作さ れた酒牌というゲームカードである。扱われた豪傑は四十人で、各葉に一人が無背景で描かれる。 ...』






    陳洪綬『畫論』:「…..諸公,雖千門萬戶,千山萬水,都有韻致。……..老蓮願名流學古人,博覽……老蓮五十四歲矣,吾鄉並無一人,中興畫學,.拭目俟之!」
    ----轉引自高居翰『山外山』(The Distant Mountains)結尾處







    風俗變淫奢,罔有能啟迪。


      天遣彘育人,址震又星鶂。

      奈何弗悛修,非命斃鋒鏑。

      君子幸毋忘,以此訓鄰國。

      天命無僭差,芻蕘可采擇。

      長揖謝耆老,歸來淚沾衣。 

      【山居】  

      小亂入城好,大亂入山便。

      在昔用斯語,於今則不然。

      盜賊滿山時,豈能此獨全。

      父老為我言,此地久安眠。

      萬山擁我後,千山護我前。

      灌木萬餘株,清流繞其邊。

      曲徑十餘里,危石懸其巔。

      不惟山田好,又有萬竹焉。

      有麻垂如絲,有栗果如拳。

      有梅匝茅屋,有蘭可成阡。

      相見皆古人,不分愚與賢。

      亦少衣冠人,豈複肯守錢。

      其風不凋薄,或可免顛連。

      吾將攜婦子,釀酒樂堯天。

      諸子漸長大,課讀兼課田。

      斫竹學織簾,讀書功不捐。

      無米拾橡栗,聊以續炊煙。

      探奇既有梅,采藥將學仙。

      佩此王者香,一撫猗蘭篇。 

      【湖上】 

      厭聽樓船雜管弦,耳根清淨小西天。 

      朝朝暮暮閑亭子,滿耳松風滿耳泉。

      【醉中書懷】  

      青山到處便成家,不得出門每自嗟。 

      若得西湖橋畔住,妻兒楊柳共桃花。

      【寄周元亮】 

      一日不見三寄書,那能一別一年餘。 

      梅花兩度不易得,錢塘月色今何如。 




    「弟幼時見傀儡戲。二尺許長。線索累累。任人提弄。近則變為數寸許。以木板推之。全似自用聰明者。嗟夫。傀儡亦且漸小。何況于人。傀儡亦不由人線索。而欲自運聰明。可畏亦可悲夫。」周元亮何次德



      【聞鶯作】  

      後園大樹五六層,搖落黃鸝三四聲。 

      可憐凡鳥亂鳴起,尚有幾聲聽未明。 

      【畫扇與魯伯芬】  

      白鷗綠渚可人憐,揀個清秋剌釣船。 

      不慣見人飛遠避,波聲隱隱沒寒煙。 

      【謝張大寄紫白丁香花】 

      亂系丁香寄晚春,紫顰白笑惜流人。 

      應從花影尋佳夢,深見湘君登白蘋。 

      【藍太常席上】 

      醉臥天涯酒百杯,更添翠袖一雙催。 

      客中但得如今日,不枉秋風瘦馬來。 

      【懷沈素先】 

      沈郎腰似隋堤柳,載得春愁此獨多。 

      野棠開盡春工歇,倒掛黃鸝喚睡魔。 

      【舟次德州寄答潘十三通判】 

      此去神京八百里,明朝千里路漫漫。 

      須知尺素當疏闊,乞把來書反復看。 

      【臥病團孌居】 

      浪遊已倦足將禁,耐得風塵雨病侵。 

      書看稗官何費力,詩刪舊句有名心。 

      小軒容膝閒情廣,疏竹棲人幽趣深。 

      日望天晴能杖履,二三酒伴踏長林。

      【雲門寺九日】 

      九日僧房酒滿壺,與人聽雨說江湖。 

      客來禁道興亡事,自悔曾為世俗儒。 

      楓樹感懷宜伏枕,田園廢盡免追呼。 

      孤雲野鶴終黎老,古佛山臒託病夫。 

      【懷朱集老】 

      酒泉太守老醉翁,養和藥囊半疏桐。

      怵之以死耳邊風,自言不死化癡龍。

      雪夜月夜呼巴童,傾杯複碗四五通。

      刀槊殺聲滿虛空,躡蹻刺天之危峰。

      背負鴟夷無戚容,持螯牛飲眠高松,吾懷此老吾欲從。 

      【如夢令】

      瓢笠春行無幾,望斷桃花流水。徹夜雨潺潺,到天明晴矣。

      夢喜!夢喜!又是花朝晴起。

      【長相思】 

      病起遲,懶起遲,蜂子排衙叫午雞。床頭改舊詞。

      趲歸期,辦歸期,忽值精神恍惚時,歸期定複移。 

      【菩薩蠻】  

      小姑居處朱樓起,烏啼聲隱楊花裏。香氣出羅衣,能留蝴蝶飛。

      遠山青可見,繡領遮團扇。小立看鴛鴦,心憐浴故雙。

      【更漏子】 

      一重山,一重水,有甚別離情思。開扇面,展屏風,丹青都是儂。

      杭州客,並州況,吳越兩山相望。茸母發,豆娘飛,望儂還浙西。

    紀念場所

    陳洪綬墓

      位於鑒湖鎮官山嶴村東南300米。墓坐南朝北,墓丘方形,邊長3.4米,高1.6米。四周圍以條石,上覆黃土,正面橫置乾隆六十年(1795年)八月裔孫允紳立“明翰林陳章侯公暨德配來氏宜人韓氏宜人合墓”石碑。墓前設長方形祭桌,下置方形拜台。1987年重修。



    人物故居

    陳洪綬紀念館

      現在浙江省諸暨市楓橋鎮陳家村長道地陳洪綬故居建有陳洪綬紀念館(光裕堂),今圮。所存水井,柱礎和墁地條石,仍為當年遺物。光裕堂為陳洪綬曾祖、明楊洲府參軍陳鶴鳴所建,1984年公佈為諸暨市級文物保護單位。

      諸暨市文化局和楓橋鎮人民政府出資重修光裕堂,並立光裕堂重修碑記。碑,青石質,須彌座,高170釐米,寬80釐米。碑額與碑文皆楷書陰刻。工程始於一九九八年一月,歷時半年,耗資十七萬元。重修的光裕堂坐落於寶綸堂東,平屋三進。




    王正華,〈女人、物品與感官慾望:陳洪綬晚期人物畫中江南文化的呈現〉,《近
    代中國婦女史研究》,第10期(2002),頁1-57



    陳洪綬的仕女畫──晚明女性內涵的反思與新境
    馮幼衡
    國立臺灣藝術大學
    造形藝術研究所

    提  要

    一般咸認陳洪綬(1599-1652)為晚明人物畫大家,重振唐代以來日漸受人忽視的人物畫,尤其是仕女畫。的確在風格上,他學宋代李公麟(1049-1106),上追唐代周昉(活動於763-804)、東晉顧愷之(約344-405),以復古為創新,其仕女畫造型高古奇倔,融宋之密實、唐之豐艷與晉之幽微於一爐,別有一種內斂與孤絕的風致,在明代繼唐寅(1470-1524)、仇英(約1509-1551)柔美的典型之後,另立晚明所特有的審美情調,可謂戛然獨造,別開生面。
    在內涵方面,陳洪綬的仕女畫與以往的仕女畫傳統相比,也帶來巨大的變革。他將仕女畫中沿襲「閨怨詩」的傳統予以變奏,讓畫中女性從被動受觀看的角色轉化為深具自主性,且富自身情思的主體。另外,他塑造了女性做為傳授知識與教育者、女性隱逸者、女性高士的形象,這都是傳統仕女畫前所未見的新猷。晚明才子佳人的形象──男女成為共享文藝志趣的伴侶,更首度在陳的繪畫中出現,打破以往仕女畫中女性經常以侍女、妓女出現的公式化僵局。種種創新不僅出自於陳洪綬個人的營造,也是晚明獨特的文化氛圍使然。在宗教題材方面,他對觀音性別的顛覆,則又在吳彬之上,既象徵陳洪綬個人對信仰救贖的質問,也反映晚明對宗教神祇「去神聖」與「去經典」化的集體意識。
    關鍵詞:閨怨、諦視、三從四德、犍陀羅、尊元貶宋








    Saul Bellow: 百歲 2016;The Adventures of Augie March (1953)等等 ; Saul Bellow文集 (約10冊)

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    "I discovered that rejections are not altogether a bad thing. They teach a writer to rely on his own judgment and to say in his heart of hearts, 'To hell with you'."
    Literature Laureate Saul Bellow - born #OTD - is considered one of the 20th century's greatest writers.
    圖像裡可能有1 人、套裝

    The Paris Review
    “How can one resist the controls of this vast society without turning into a nihilist, avoiding the absurdity of empty rebellion? I have asked, Are there other, more good-natured forms of resistance and free choice? And I suppose that, like most Americans, I have involuntarily favored the more comforting or melioristic side of the question.”
    —Saul Bellow

    “I am an American, Chicago born – Chicago, that somber city – and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent. But a man's character is his fate, says Heraclitus, and in the end there isn't any way to disguise the nature of the knocks by acoustical work on the door or gloving the knuckles.”
    ―from THE ADVENTURES OF AUGIE MARCH by Saul Bellow




    It's Saul Bellow's 100th birthday
    THEPARISREVIEW.ORG

    Happy 100th Birthday, Saul Bellow, EX'39.
    Read more from University of Chicago Magazine June/05 feature story about the author and his legacy:http://magazine.uchicago.edu/0506/features/bellow.shtml
    Today marks the centennial of Saul Bellow's [EX'39] birthday.
    "What everyone noticed about Bellow was that he noticed everything. Noticed, remembered, used, and transformed."
    Read more from our June/05 feature story about the author and his legacy:http://magazine.uchicago.edu/0506/features/bellow.shtml
    * * * * *
    (University of Chicago Photographic Archive, apf7-00065, Special Collections Research Center, University of Chicago Library)





    Saul Bellow was born a hundred years ago today. He was a serial adulterer, a negligent father and a surprisingly lacklustre public speaker. But he was also a good friend to many literary luminaries such as Ralph Ellison, Bernard Malamud and John Berryman, and a “famed noticer” who channelled his gimlet-eyed observations to create enduring, innovative, award-winning fiction. http://econ.st/1S3CUTl

    10年前,我詳細評過Saul Bellow的最後一本小說。


     The Adventures of Augie March by Saul Bellow 中國有譯本,也選入Saul Bellow文集 (約10冊)


    https://en.wikipedia.org/wiki/Saul_Bellow_bibliography

    Novels and Novellas[edit] 大部分都有譯本

    TitleYearNotesLOA volume
    Dangling Man1944Novels 1944-1953
    The Victim1947Novels 1944-1953
    The Adventures of Augie March1953Won the 1954 National Book Award for FictionNovels 1944-1953
    Seize the Day1956Novels 1956-1964
    Henderson the Rain King1959Novels 1956-1964
    Herzog1964Won the 1965 National Book Award for FictionNovels 1956-1964
    Mr. Sammler's Planet1970Won the 1971 National Book Award for FictionNovels 1970-1982
    Humboldt's Gift1975Won the 1976 Pulitzer Prize for FictionNovels 1970-1982
    The Dean's December1982Novels 1970-1982
    What Kind of Day Did You Have?1984Collected in
    Him with His Foot in His Mouth and Other Stories;
    Collected Stories
    Novels 1984-2000
    More Die of Heartbreak1987Novels 1984-2000
    A Theft1989Collected in
    Something to Remember Me By: Three Tales;
    Collected Stories
    Novels 1984-2000
    The Bellarosa Connection1989Collected in
    Something to Remember Me By: Three Tales;
    Collected Stories
    Novels 1984-2000
    The Actual1997Novels 1984-2000
    Ravelstein2000Novels 1984-2000



    The 100 best novels: No 73 – The Adventures of Augie March by Saul Bellow (1953)

    "I am an American, Chicago born — Chicago, that somber city — and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent."

    "Everybody knows there is no fineness or accuracy of suppression; if you hold down one thing, you hold down the adjoining."


    --from "The Adventures of Augie March" (1953) by Saul Bellow
    Much of The Adventures of Augie March takes place during the Great Depression, but far from being a chronicle of deprivation, the first of Saul Bellow’s string of masterpieces testifies to the explosive richness of life when it is lived at high risk and in tumultuous social circumstances. In a brawling Chicago of crooks, con artists, second-story men, extravagant dreamers, snappy dressers, and cold-eyed pragmatists, Augie March undergoes his sentimental education—an education that, though imbued with reality, will take him into realms progressively stranger, more marvelous, more filled with indecipherable meaning. The Adventures of Augie March is the product of an elegant and skeptical mind on which nothing is lost, and of an appetite for the look and feel of things that is both enormous and passionate. The result of these varying felicities is a novel that is immediate, strikingly unpredictable, authentic, and convincing. READ an excerpt here: http://knopfdoubleday.com/…/…/the-adventures-of-augie-march/

    In the long-running hunt to identify the great American novel, Saul Bellow’s picaresque third book frequently hits the mark. Robert McCrum explains why

    • Join Robert McCrum and Kate Mosse in a discussion of the 100 best novels
    Saul Bellow in the 1950s, after writing The Adventures of Augie March. Photograph: Victoria Lidov/ Bettmann/Corbis


    Robert McCrum

    Monday 9 February 2015 05.45 GMT
    From the get-go – “I am an American, Chicago-born” – this turbo-charged masterpiece declares itself to be a heavyweight contender; and for some,The Adventures of Augie March is a knockout. Delmore Schwartz called it “a new kind of book”. Forget Huckleberry Finn (nodded at in the title); forgetGatsby; even forget Catcher in the Rye. This, says Martin Amis, one of many writers under Bellow’s spell, is “the Great American Novel. Search no further”. Well, maybe.

    In retrospect, both JD Salinger (no 72 in this series) and Saul Bellow, who declared their originality at the beginning of the 1950s, stand head-and-shoulders above a rising generation of young contenders, from Norman Mailer and Gore Vidal to Kurt Vonnegut, and James Salter. No question: the great American postwar fiction boom starts here.

    Augie March opens in 1920s Chicago during the Great Depression. Augie is “the by-blow of a travelling man”, and his adventures, loosely patterned after Bellow’s experience, are picaresque. This odyssey, in Bellow’s own words, traces “a widening spiral that begins in the parish, ghetto, slum and spreads into the greater world”, much as his own life did. Augie finds his feet through his engagement with a kind of America that had not been run to earth in fiction before. A sequence of brilliant set pieces narrates the footloose Augie’s upward drift. He becomes a butler, a shoe salesman, a paint-seller, a dog-groomer and a book thief, even a trades union shop steward.

    He also revels, like Dickens, in some memorable characters – Augie’s Jewish mother; Einhorn, the fixer and surrogate father – and some seductive women: Sophie Geratis, Thea Fenchel (and her eagle, Caligula), and finally, Stella, whom Augie will marry. It’s a long book, some 500 pages. “It takes some of us a long time,” says Augie, “to find out what the price is of being in nature, and what the facts are about your tenure.” Quite so.

    Augie enlists in the merchant marine during the second world war. When his ship, the Sam MacManus, is torpedoed, Augie experiences a long quasi-surreal episode on board a lifeboat in which he confronts matters of life and death in the company of Basteshaw, a weirdo. In the end, with persistent questions about identity and reality unresolved, Augie, the “travelling man”, declares himself to be “a sort of Columbus”, one who discovered a new world but who may himself be a flop. “Which,” as Bellow jokes in a brilliant closing line, “doesn’t prove there was no America”.
    A Note on the Text


    Saul Bellow published his first novel, Dangling Man in 1944, followed by The Victim (1947) – two works of fiction that reflect his marginal status as a Canadian Jew living in the US – but did not find his true voice as a novelist until he wrote The Adventures of Augie March. Later, looking back, he recalled: “I was turned on like a fire hydrant in summer.” He had begun to write the novel in Paris, having won a Guggenheim fellowship. According to his first biographer, James Atlas, from whom he became estranged, Bellow found the spectacle of water flooding down a Parisian street to be the inspiration for the “cascade of prose” that gushed after his famous opening line: “I am an American, Chicago born – Chicago, that sombre city – and go at things as I have taught myself, free-style, and will make the record in my own way…”

    He was, he said, revelling in “the relief of turning away from mandarin English and putting my own accents into the language. My earlier books had been straight and respectable. But in Augie March I wanted to invent a new sort of American sentence. Something like a fusion between colloquialism and elegance.” Philip Roth, who would sometimes struggle with Bellow’s influence, noted that this new style “combined literary complexity with conversational ease”. It was, like many literary innovations, from Mark Twain onwards, a high-low hybrid, and linked, in Roth’s words, “the idiom of the academy with the idiom of the streets (not all streets – certain streets)”.

    The great, unfulfilled, hope of American fiction in the 1930s, Delmore Schwartz, put this explicitly: “For the first time in fiction America’s social mobility has been transformed into a spiritual energy which is not doomed to flight, renunciation, exile, denunciation, the agonised hyper-intelligence of Henry James, or the hysterical cheering of Walter Whitman.” Other critics, notably James Wood, have celebrated something equally universal – “the beauty of this writing, its music, its high lyricism, its firm but luxurious pleasure in language itself”.
    Advertisement


    The Adventures of Augie March encountered only one serious pre-publication critique (from Bellow’s British editor, John Lehmann, the celebrated founder of Penguin New Writing). The upshot of this clash was Bellow’s determination to prevail. And he did. Augie March spoke directly to the new postwar generation, and would go on to influence writers as various as Cormac McCarthy, Martin Amis, Jonathan Safran Foer and Joseph Heller.

    Bellow’s third novel was published by the Viking Press in 1953. In 1976 he was awarded the Nobel prize for literature, which identified this book as an important “novel and subtle analysis of our culture, of entertaining adventure, drastic and tragic episodes in quick succession interspersed with philosophic conversation, all developed by a commentator with a witty tongue and penetrating insight into the outer and inner complications that drive us to act, or prevent us from acting, and that can be called the dilemma of our age…”
    Three more from Saul Bellow




    ------
    Henderson the Rain King (1959); Herzog (1964); Mr Sammler’s Planet (1970).

    The Adventures of Augie March is available in Penguin paperback, £12. Click here to buy it for £9.60

    The Pickwick Papers, A CHRISTMAS CAROL by Charles Dickens;線上閱讀狄更斯!/The Cambridge Companion to Charles Dickens/ most adapted author of all time

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    “Caleb was no sorcerer, but in the only magic art that still remains to us, the magic of devoted, deathless love, Nature had been the mistress of his study; and from her teaching, all the wonder came.”
    ―from "The Cricket on the Hearth: A Fairy Tale of Home" (1845) by Charles Dickens included in A CHRISTMAS CAROL AND OTHER CHRISTMAS BOOKS


    The final volume in the Everyman’s Library Charles Dickens collection: the timeless story of everyone’s favorite misanthrope, Ebenezer Scrooge, together with four more of Dickens’s Christmas tales and with Arthur Rackham’s classic illustrations. No holiday season is complete without the story of tightfisted Mr. Scrooge, of his long-suffering and mild-mannered clerk, Bob Cratchit, of Bob’s kindhearted lame son, Tiny Tim, and of the Ghosts of Christmas Past, Present, and Future. First published in 1843, A Christmas Carol was republished in 1852 in a new edition with four other Christmas stories—The Chimes, The Cricket on the Hearth, The Battle of Life, and The Haunted Man. These beloved tales revived the notion of the Christmas “spirit”—and have kept it alive ever since. READ an excerpt from the introduction here: https://www.penguinrandomhouse.com/…/a-christmas…/hardcover/

    "The Pickwick Papers" by Charles Dickens

    https://www.youtube.com/watch?v=EmVc94rVTYs

    On this day in 1836, Charles Dickens published the first installment of THE PICKWICK PAPERS.
    "There are very few moments in a man's existence when he experiences so much ludicrous distress, or meets with so little charitable commiseration, as when he is in pursuit of his own hat."
    --from THE PICKWICK PAPERS
    In this classic social commentary from Dickens, Mr. Samuel Pickwick, retired business man and confirmed bachelor, is determined that after a quiet life of enterprise the time has come to go out into the world. Together with the other members of the Pickwick Club: Tracy Tupman, Augustus Snodgrass and Nathaniel Winkle, the portly innocent embarks on a series of hilariously comic adventures. But can Pickwick retain his good will towards his fellow humans once he discovers the evils of the world? Charles Dickens’s satirical masterpiece, THE PICKWICK PAPERS, catapulted the young writer into literary fame when it was first serialized in 1836–37. It recounts the rollicking adventures of the members of the Pickwick Club as they travel about England getting into all sorts of mischief. Laugh-out-loud funny and endlessly entertaining, the book also reveals Dickens’s burgeoning interest in the parliamentary system, lawyers, the Poor Laws, and the ills of debtors’ prisons. READ an excerpt here: http://www.penguinrandomhouse.com/…/the-pickwick-papers-by…/



    Happy #ClassicsinContext day! As soon as he turned 18, Charles Dickens applied for a reader’s ticket at the British Museum, reading Shakespeare and the classics, as well as English and Roman history – building on the Latin skills his mother had taught him. While the idea of becoming a theater performer enticed him, he built his career as a parliamentary reporter, before publishing his first literary work “A Dinner at Poplar Walk” in a monthly publication in December 1833, at age 21.
    In August 1834, he was added to the reporting staff of the premiere Whig newspaper, “The Morning Chronicle,” and soon distinguished himself as a brilliant and efficient special correspondent. He began to submit written “Street Sketches” of London to the paper, which were so popular he was commissioned to do similar series in other newspapers – including the “Evening Chronicle,” edited by George Hogarth, the father of the accomplished and beautiful Catherine, who would marry Dickens on 2 April 1836 at St. Luke’s in Chelsea. Only days before, the first volume of the “Pickwick Papers” – comics paired with written sketches by Dickens – premiered; by the end of its 20-volume run in November 1837, the monthly serial had achieved a circulation count of 40,000 and had earned £14,000 – though most notably of all, had catapulted Dickens to popular fame.
    The Pickwick Papers
    GLOBAL.OUP.COM
    The Pickwick Papers
    In 1836 the 23-year-old Dickens was invited by his publishers to write `a monthly something' illustrated by sporting plates. Thus the Pickwick Club was born: its supposed `papers' soom outgrew their origins and became a brilliantly comic novel, still among Dicken's most popular works.About the Serie...

    匹克威克外傳

    "Happy, happy Christmas, that can win us back to the delusions of our childish days; that can recall to the old man the pleasures of his youth; that can transport the sailor and the traveller, thousands of miles away, back to his own fire-side and his quiet home!"
    ~from "The Pickwick Papers" by Charles Dickens
    In this classic social commentary from Dickens, Mr. Samuel Pickwick, retired business man and confirmed bachelor, is determined that after a quiet life of enterprise the time has come to go out into the world. Together with the other members of the Pickwick Club: Tracy Tupman, Augustus Snodgrass and Nathaniel Winkle, the portly innocent embarks on a series of hilariously comic adventures. But can Pickwick retain his good will towards his fellow humans once he discovers the evils of the world?
    By STEPHEN JARVIS
    Reviewed by MICHAEL UPCHURCH

    A novelist argues that 'The Pickwick Papers' was hijacked from its illustrator.


    慶祝狄更斯200歲冥誕,線上閱讀狄更斯!



    今天(2012.02.07)是英國大文豪狄更斯(Charles Dickens, 1812.02.07-1870.06.09)200歲冥誕,狄更斯被譽為歷來數一數二的英語作家,其作品有《塊肉餘生錄》、《遠大行程》、《孤雛淚》、《尼古拉斯.尼克貝》、《小氣財神》、《雙城記》等,皆可堪稱永垂不朽的經典小說。在眾多作品中,帶自傳體性質的小說《塊肉餘生錄(David Copperfield)》,被許多人視為狄更斯的代表作臺大圖書館數位學習網的「線上文學書房—英國文學篇」中,就有一門《塊肉餘生錄》導讀課程,由臺大外文系周樹華老師與古佳艷老師進行精彩的對談,帶領您從不同面向重新閱讀《塊肉餘生錄》文本。該課程同時提供臺大圖書館相關館藏書目、重要相關網站等資訊,亦有下載區提供導讀內容的mp3檔及精選文本的文字pdf檔,從線上閱讀到行動學習,今天不妨就來讀讀狄更斯吧!


    臺大圖書館數位學習網(文學戲劇系列):線上文學書房—英國文學篇

    Naxos Spoken Word Library(提供文本及朗讀的有聲書,限臺大校園網域使用)

    Dickens, Charles(b. 2/07/1812 - d.6/09/1870)
    Titles
    Anthologies / Collections
    Classic RomanceNA443012
    Classic Fiction
    CHILLING GHOST STORIESNA291112
    DICKENS / JAMES: Classic Ghost StoriesNA245912
    DICKENS, C.: American Notes (Unabridged)AS-AM308
    DICKENS, C.: Barnaby Rudge (Abridged)NA690812
    DICKENS, C.: Barnaby Rudge (Unabridged)NAX90912
    DICKENS, C.: Bleak House (Abridged)NA844312
    DICKENS, C.: Bleak House (Unabridged)NAX43112
    DICKENS, C.: Christmas Carol (A) (Unabridged)NA332912
    DICKENS, C.: David Copperfield (Abridged)NA415112
    DICKENS, C.: David Copperfield (Unabridged)NA0078
    DICKENS, C.: Dombey and Son (Abridged)NA899012
    DICKENS, C.: Dombey and Son (Unabridged)NAX98912
    DICKENS, C.: Great Expectations (Abridged)NA408212
    DICKENS, C.: Great Expectations (Unabridged)NAX46212
    DICKENS, C.: Hard Times (Abridged)NA311012
    DICKENS, C.: Hard Times (Unabridged)NA0023
    DICKENS, C.: Little Dorrit (Abridged)NA889912
    DICKENS, C.: Little Dorrit (Unabridged)NAX88912
    DICKENS, C.: Martin Chuzzlewit (Abridged)NA809612
    DICKENS, C.: Martin Chuzzlewit (Unabriged)NAX98312
    DICKENS, C.: Mystery of Edwin Drood (The) (Unabridged)NA0092
    DICKENS, C.: Nicholas Nickleby (Abridged)NA632612
    DICKENS, C.: Nicholas Nickleby (Unabridged)NA0074
    DICKENS, C.: Old Curiosity Shop (The) (Abridged)NA689212
    DICKENS, C.: Old Curiosity Shop (The) (Unabridged)NAX89512
    DICKENS, C.: Oliver Twist (Abridged)NA425912
    DICKENS, C.: Our Mutual Friend (Abridged)NA985712
    DICKENS, C.: Our Mutual Friend (Unabriged)NAX44212
    DICKENS, C.: Pickwick Papers (The) (Abridged)NA416612
    DICKENS, C.: Pickwick Papers (The) (Unabridged)NA0071
    DICKENS, C.: Selections from Sketches by Boz (Abridged)NA0093
    DICKENS, C.: Sketches by Boz, Part I (Unabridged)AS-VI132
    DICKENS, C.: Tale of Two Cities (A) (Abridged)NA305712
    DICKENS, C.: Tale of Two Cities (A) (Unabridged)NAX35912
    Short Stories: Classic Chilling Tales, Vol. 2NA204912
    Fiction
    DICKENS, C.: Poor Relation's Story (The) (Unabridged)AS-VIC148
    Junior Classic Fiction
    DICKENS, C.: Oliver Twist Retold for younger listeners by Roy McMillan (Abridged)NA0087
    Non-Fiction
    DICKENS, C.: Pictures from Italy (Unabridged)AS-VI145
    FAVOURITE ESSAYS (Unabridged)

    **

    The Cambridge Companion to Charles Dickens

    • Paperback: 258 pages
    • Publisher: Cambridge University Press (June 18, 2001)
    • Language: English

    The Cambridge Companion to Charles Dickens Preface; The life and times of Charles Dickens; From Sketches to Nickleby; The middle novels; Moments of decision in Bleak House; Novels of the 1850s; The late novels; Fictions of childhood; Fictions of the city; Gender, family, and domestic ideology; Dickens and language; Dickens and the form of the novel; Dickens and illustration; Dickens and theatre; Dickens and film; Selected bibliography; Supplementary Material;

    How to cite (Modern Language Association style):

    John O. Jordan. "The Cambridge Companion to Charles Dickens."The Cambridge Companion to Charles Dickens. Cambridge University Press, 2001. Cambridge Collections Online. Cambridge University Press. 12 February 2012

    ***

    Charles Dickens at 200 medium badge

    Charles Dickens bicentenary to be marked with film and TV retrospective

    BFI plans comprehensive season celebrating most adapted author of all time in early 2012

    Alec Guinness and John Mills in David Lean's 1946 film of Great Expectations
    Alec Guinness and John Mills in David Lean's film adaptation of Great Expectations, released in 1946. Photograph: Picture Post/Getty Images
    From Alec Guinness as Fagin to Miss Piggy as Mrs Cratchit, the BFI is staging a three-month retrospective of Dickens on film and TV on London's South Bank from January, to mark the novelist's bicentenary.. The season is curated by Michael Eaton and Co-curator Adrian Wootton, said Dickens's influence on cinema and TV had been immense and continues right up to the present day, with Mike Newell's Great Expectations the next movie outing for Dickens. "It demonstrates that he is not a dead, grey old man sitting on dusty shelves who nobody reads, he is a living breathing artist whose work just keeps on rippling and resonating through our culture."
    All the novels have been adapted to some degree. There are around 100 silent films, of which around a third still exist, "although we keep finding new ones all over the world and I still think there's many more out there," said Eaton.The season will include the earliest extant example of Dickens on film, a fragment from 1901 called Scrooge – or Marley's Ghost, and a version of Oliver Twist starring Jackie Coogan, who made his name in Charlie Chaplin's The Kid and who, much later in life, made his name all over again as Uncle Fester in the The Addams Family. The film was believed lost for decades until a print turned up in Yugoslavia in the 70s. Coogan himself helped with its reconstruction. Classic Dickens adaptations will include David Lean's 1948 Oliver Twist, Carol Reed's 1968 musical Oliver! and Roman Polanski's 2005 darker take. The curators said many people first encountered Dickens through TV and so five major adaptations will be screened in their entirety, beginning with Our Mutual Friend (1976) and ending with Bleak House (1985) in March. The RSC's eight-hour production The Life & Adventures of Nicholas Nickleby, which was on the fledgling Channel 4, will also be screened with a panel discussion involving directors Trevor Nunn and John Caird, and actor David Threlfall who died so memorably as Smike.
    Purists will also be delighted to see The Muppet Christmas Carol, which had Michael Caine as Scrooge and Kermit as Bob Cratchit, being shown in Christmas week.
    The season is just one element of Dickens 2012, an international celebration marking the bicentenary of his birth on 7 February 2012.



    【本報綜合外電報導】十九世紀英國大文豪狄更斯,作品在世界各地流傳,紀念狄更斯冥誕二百周年,倫敦博物館推出一九七○年以來最大特展,展出珍貴手稿及他創作時所用的桌椅至六月十日。

    特展首席籌辦人沃納表示,狄更斯(Charles Dickens)是十九世紀文壇最重要的作家,他的影響力遍及全球,作品同時翻譯成歐洲多種語言,也翻譯成中文。

    這個以「狄更斯和倫敦」為名的特展,倫敦博物館籌備二年,除了本身的收藏並向二十個單位借展,展出三百多件作品。

    沃納說,特展裡不容錯過的是狄更斯使用過的桌椅,他在展出桌椅上完成《遠大前程》(Great Expectations)及《我們共同的朋友》(Our Mutual Friends)二部重要作品。

    狄更斯勤於寫作,每天八時吃完早餐,巡視家中一切都安好,就到書房回覆一些重要信件,然後開始創作到午餐時間。

    更難得的是,參觀者可以在展場看到狄更斯經典作品《荒涼山莊》(Bleak House)及《塊肉餘生》(David Copperfield)的手稿。

    特展還安排狄更斯作品被改編的劇本,當時劇場的演員服裝,還有維多利亞女王時代當時倫敦樣貌的影片、畫作和物品,讓參觀者認識十九世紀時的倫敦城。

    沃納說,狄更斯作品裡有不少對窮人的描寫,一方面是他對倫敦貧窮居民為生活的掙扎十分同情,另一方面,他也想透過作品喚起政府的重視,進而改善窮人的生活。


    David Copperfield and Dora Spenlow with her pet dog, Jip. From 'The Works of Charles Dickens Household edition [With illustrations].' (1872)

    李懷宇訪談葛兆光: 並不遙遠的中國思想史

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    舊文重讀,李懷宇訪談葛兆光:
    並不遙遠的中國思想史

    M.WENXUECITY.COM

    m.wenxuecity.com


    Hanching Chung

    似乎沒談到實的思想史,不過"導論--思想史的寫法"一本小書 (136頁),就可知讀書不少。連王德威的翻譯都找出小毛病。

    奈良・東大寺大佛的故事TALES OF THE OLD TODAIJI 東大寺の昔話し;東大寺擦拭大佛儀式;奈良の大仏。学館のSUMO本「東大寺」

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    佛系防疫始祖:奈良・東大寺大佛的故事

    今年4月11號,當武漢肺炎襲擊全球,日本也陷入苦戰的同時,奈良東大寺舉行了一場「疫病退散・鎮護國家」法會,並透過網路實況轉播同步公開。在一千兩百多年前為了鎮護國家而建造的奈良大佛, 如今結合數位科技再次肩負起這個任務。回顧東大寺的歷史,可以看到人類面對疫病的威脅時,期待從比人更高一等的存在來獲得力量,這種心情從古至今都沒有改變。


    ※本文為外部作者所撰
    東大寺創建歷史


    東大寺與大佛創建的奈良時代天平年間,不僅是日本與國際交流頻繁,蓬勃發展的時代,同時也有著內亂與天災頻發的黑暗面;而隨著交流從大陸引入的除了先進文化以外,還有恐怖的傳染病。西元735年天花大流行,消滅了日本近三成的人口,包括以外戚身份掌握朝政的藤原四兄弟也都全部死於感染。當時的聖武天皇在出身藤原氏的光明皇后敦促下,展開了建造大佛以鎮護國家的計畫。

    西元752年,建造完成的大佛在文武百官及來自唐、高麗、越南、緬甸等各國代表觀禮及舞樂奉納之下,由天竺高僧菩提僊那主持開眼供養法會,與會者達一萬數千人,堪稱日本古代最大型的國際盛會,大佛從此開始了祂鎮護國家的使命。
    東大寺境內介紹


    走到南大門,相信許多人都會為它的巨大感到震撼。南大門是日本最大的山門,高達25公尺的龐大量體極具迫力。東大寺正式名稱為「金光明四天王護國之寺」,作為華嚴宗大本山,如同大門上的匾額所書,也稱為「大華嚴寺」。而鎮守於門內的左右兩尊金剛力士像同樣迫力非凡。


    金剛力士像是鎌倉時代由著名佛師「運慶」及他的慶派門生所做。慶派的佛像一改平安時代造型平淡的風格,走向擬真路線。從金剛力士像就可以看出典型作風:活生生的凶狠表情以及糾結的筋肉。這樣的轉變也顯示出武士在歷史上的崛起,影響了當代審美觀。除了表現手法以外,金剛力士的製作也把「寄木造」這種分別刻出局部再組裝的技法發揮到極致,兩尊巨像各自用3000個部件組裝而成,簡直是現代鋼彈模型的先驅。這種做法也讓分工效率得以充分發揮,只花了70天就完成了這兩尊經典作品。


    穿過第二道紅白相間的中門,就可以看到世界最大木造建築-東大寺大佛殿。大佛殿除了巨大以外,造型也非常特殊。其實東大寺在漫長的歷史中,曾經兩度因捲入戰火而毀滅,在重建的過程中,不同時代的建築風格也融進了一體。

    講到血洗佛門聖地這種事,大家一定會想到燒討比叡山的織田信長。但早於信長約400年前,平安時代末期的平清盛就已經幹過這種事了。與平家政權對抗的南都奈良諸寺遭到平清盛派遣兒子平重衡率軍討伐,並下令放火。在風勢助長下大火吞噬了東大寺、興福寺等寺院,佛門聖地化為焦熱地獄,上千平民僧眾被活活燒死,連大佛都在火中融毀,史稱「南都燒討」。


    清盛問兒子:「喂,我們這樣會不會太殘忍了啊?」,重衡回答:「欸不關我的事,都是風向害的,我本來打算只燒一兩間就好。」等到東大寺再度重建時,已經是由平家死對頭的源氏掌權的鎌倉幕府時代了。大佛殿前的金銅八角燈籠,就是少數躲過了南都燒討的大劫,從創建之初就流傳下來的國寶。

    現在的大佛殿比初代小了三分之一,但是依然是堂堂的世界最大木造建築,不管遠看近看還是無比震撼。唐破風下的那扇窗戶每年除夕和元旦都會打開,讓人從殿外就可以看到大佛的臉。


    終於我們來到大佛腳下。大佛的名字是「盧舍那佛」,盧舍那是梵語「光明遍照」之意,在密宗則取其意譯稱「大日如來」。如今的大佛是江戶時代二度重建的第三代,雖然比起奈良時代的初代大佛大約小了 ¼,但是依舊宏偉壯觀。一般認為至少從下半身到部分的蓮座還遺留了奈良時代的原件。


    從大佛腳邊展示的蓮瓣複製品,可以看到上面也用金線繪滿了華嚴經中的世界觀。而現在呈現出青銅原色的大佛,在當初表面甚至還曾鍍上一層金。參考大佛左右木雕金箔的「虛空藏菩薩」與「如意輪觀音」,多少可以聯想一下當初大佛是如何光明遍照。


    在大佛殿的東北和西南角,還可以看到四大天王的「多聞天」和「廣目天」兩尊神像。但在另兩個角落卻沒看到另兩位......原來這組江戶時代製作的四大天王像,才完成了兩尊就因故中斷。


    剩下的「持國天」和「增長天」只做出了兩顆腦袋瓜,看起來簡直就是布袋戲的尪仔頭,只是大了幾十倍。


    另一邊則展示了歷代大佛殿的木造微縮模型,從這裡可以一覽南都燒討前的東大寺原始面貌。除了大佛殿與兩道門都跟現在不同之外,還可以看到如今已經不存的五重塔。


    然後這是鎌倉時代復興的第二代造型,雖然有一點微妙的不同,不過輪廓大致上跟初代一致。這或許也因為從焚毀到重建完成只隔了不到15年。


    前面提到東大寺曾兩度毀於戰火,第二次是發生在戰國時代。控制大和國(奈良)的松永久秀與舊盟友三好三人眾反目,於東大寺開戰,東大寺全燒,大佛也再次受難,連頭都燒沒了。雖然縱火的元兇說法各異,但是松永久秀後來所投靠的老闆織田信長顯然把這筆帳算在久秀頭上,連同他過去幹的篡奪主君三好家、謀殺幕府將軍足利義輝兩件好事並稱「三惡」。但自己就是個魔王的信長,對三惡妄為的久秀倒是頗為臭氣相投就是了。

    由於長期戰亂,東大寺的第二次復興一直拖到江戶時代中期的元祿年間才再度展開,這一次的重建離它毀壞時已過了將近140年。江戶版的第三代大佛殿寬度變窄,但是也變高了,最明顯的差異是多了一個唐破風,這種鎌倉時代以後才開始盛行的建築構造。


    為了鎮護國家而建造的大佛,反而因人間的動亂而屢次受難,看來在某些負的領域裡,人的力量真的超越了神佛。
    手向山八幡宮

    2020年4月24號,東大寺邀集包括真言宗、臨濟宗、天主教、修驗道及神道等跨教派代表召開記者會,一同為平息疫情每日祈禱,並呼籲大眾共體時艱。其中神道界是由東大寺旁的手向山八幡宮代表出席。其實手向山八幡宮與東大寺淵源的深厚非比尋常,而這層關係從大佛創建就開始了。


    當大佛正在建造時,九州宇佐八幡宮(大分縣)的八幡神降下神諭,表示希望到奈良庇佑工程順利,守護大佛。於是朝廷將八幡神從宇佐勸請至奈良,作為東大寺的守護神,在旁邊建立了八幡宮。八幡神從此也跟皇室越來越密切,不僅被視為古代應神天皇的化身,而從地方豪族的氏神變成皇室祖神之一,後來朝廷更授予「八幡大菩薩」的稱號,成為「神佛習合」信仰的最早例子。


    相較於熱門景點的東大寺,這裡顯得靜謐許多。但手向山也是自古以來就聞名於世的賞楓景點,就連那位天滿宮的祭神菅原道真,也曾以和歌讚嘆這裡的紅葉,楓紅季節想必十分熱鬧。

    在神社境內,還留有一塊據說菅原道真曾經坐下來休息過的「菅公腰掛石」。


    而八幡神也是著名的武家守護神,以開創鎌倉幕府的源氏一族為首,備受武士階級的尊崇。境內可以找到一座看來有點年代的石造手水鉢,捐獻者具名「源信勝」。由於武士們普遍愛自稱源氏後人以沾顯赫血統之光,在許多場合也以「源」當成姓氏代替家族的苗字。因此我們一時無法判斷這位源信勝是出自那個家系。


    如果從歷史上較出名的人物來找,戰國名將武田信玄是正宗的甲斐源氏嫡系,而他有個孫子就叫信勝。不過看這手水鉢好像又沒有古老到戰國時代的程度......

    繼續努力google,發現在江戶時代有位名叫「溝口信勝」的奈良奉行(奉行為日本平安至江戶時代間的官職、軍職稱),他出身的溝口氏自稱甲斐源氏庶流,而他本人也曾在別處使用過「源信勝」這個名字,從這層脈絡來看,這座手水缽的捐獻者是他的可能性頗高!這位溝口信勝在任職奈良奉行時,為了避免鹿角傷人而制訂了切鹿角祭典,一直延續到現在。

    從偶然發現的蛛絲馬跡尋找出在地的淵源,這也是旅遊的一大趣味。


    根據奈良愛鹿護會網站,關於切鹿角祭典的說明,當中提及這時期的雄鹿鹿角並無血管或神經,因此鹿並不會出血或感到疼痛,就像人剪指甲一般,而雄鹿在隔年又會長出新角。


    隨著疫情持續,東大寺等奈良熱門觀光地幾乎已不見外來客,徒留鹿群在滿開的櫻花樹下發呆打瞌睡。但也正因為這樣,東大寺褪去了旅遊景點這層身份後,卻更加凸顯它身為宗教聖地安撫人心的一面。

    雖然台灣疫情緩和,連續多日保持零確診紀錄,但因為無法赴日旅遊而心癢難耐的讀者們,一定更體會到了「大家都好才是好」的意義。祈願大佛保佑日本疫情平息,盡早讓日本旅遊同好們能一解「思鄉」之苦。






    著者をフォロー
    香取 忠彦
    + フォロー
    新装版 奈良の大仏 (日本人はどのように建造物をつくってきたか) 単行本(ソフトカバー) – 2010/2/23
    香取忠彦 (著), 穂積和夫 (イラスト)




    Language: 日本語 | Number of Pages: | Format: Hardcover




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    奈良大佛:世界最大的鑄造佛
    奈良の大仏:世界最大の鋳造仏

    作者: 香取忠彥追蹤作者 新功能介紹
    譯者: 李道道
    繪者: 穗積和夫
    出版社:馬可孛羅訂閱出版社新書快訊 新功能介紹
    出版日期:2016/10/13
    語言:繁體中文



    TALES OF THE OLD TODAIJI

    買到舊書有時候會莞爾。

    東大寺の昔話し
    日文1983 英文 1985.4


    書籤是"東大寺年中行事"。


    最有意思的是書封紙內有5比銀行存款帳號、金額等

    Todaiji Temple is one of the amazing World Heritage sites in Nara. Don't miss this historically significant temple >> http://bit.ly/2GZjFuI



    石頭出版

    不論最終的成果及評價如何,「巨大的佛像高聳在幽暗的木構大殿中,仍然足以讓人緬懷其原始面貌,並且思索催生此創作的深奧教義。」

      

    ---

    東大寺擦拭大佛儀式介紹

    http://www.todaiji.or.jp/contents/function/08ominugui.html

    ---

    參見羅森福《奈良大佛與重源肖像:奈良大佛與重源肖像》

    https://rocks.pixnet.net/blog/post/32347933

    朝日新聞中文編輯部


    早上7點,僧侶等人為大佛實施撥遣式後,再由身著白色裝束、腳踏草鞋的約180名信眾等人進行拂塵作業。大佛四周的佛像、中門與迴廊處也進行了清掃。







    ASAHICHINESE.PROS.IS

    每年勤拂拭勿使惹塵埃 奈良‧東大寺大佛「淨佛儀式」:朝日新聞中文網


    ***


    小学館SUMO本

    5月25日下午9:49·



    [相撲書號] "我想讓我們在我們的時候, 我們在1年一月1日在1


    2020年五月25日, 超級大大的專輯[todai-ji] (由kazuyoshi miyoshi)安全發行!


    巨型藝術書籍的世界, 它現在在世界上流行. 在流動中, 這次從shogakukan推出的新標籤"相撲 書"幾乎與全國最大的b2尺寸相同, 500 × 690毫米大藝術作品粉絲的左邊. 我建議你們所有人.


    力量的影響比某種方式更大.


    例如, 大量的國寶, 美麗的佛陀, 以大規模精准度複製, 最先進的印刷技術都在紙上. 肉眼的美麗看不到肉眼.


    另外, 這本書的作者miyoshi miyoshi, 是個大的粉絲, 他在nara有一幅照片拍攝. 10多年來, 我一直在拍攝東大寺的魅力.


    這本書是一個神聖的視野, 是神聖的世界視野, 以及其他人, 如公眾的hibutsu, 以及許多未曾被認為的希布津. 公佈在公眾中. 總共記錄超過300 p. 這正是攝影師miyoshi miyoshi的匯編.


    從計劃約1年, 米吉和秀香港能發出信心! 官方hp也已經完成, 所以請嘗試嘗嘗魅力.


    [官方hp] https://www.shogakukan.co.jp/pr/sumo/todaiji/jp/index.html


    [官方推特]


    https://twitter.com/sumo_books


    [shogakukan "成年產品] (直接網站)]


    https://www.pal-shop.jp/item/A98008001.html












    SHOGAKUKAN.CO.JP


    小学館のSUMO本「東大寺」|小学館


    写真家・三好和義が最新デジタルカメラで全編新規撮影した世界遺



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