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Ezra Pound; The Pound Era By Hugh Kenner； 《龐德及其世界》《龐德詩選 比薩詩章》；Ezra Pound's Cathay； Confucianism in Pound's Cantos

November 1, 2017, 11:30 am
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《龐德及其世界》《龐德詩選  比薩詩章》；Ezra Pound's Cathay； Confucianism in Pound's Cantos


《龐德詩選  比薩詩章》黃韻特譯、張子清校，桂林：灕江，1998

索金梅著： Confucianism in Pound's Cantos *(《龐德《詩章》中的儒學》)，天津：南開大學，2003
*博士論文

Ezra Pound's Cathay Wai-lim Yip - Princeton University Press

press.princeton.edu/titles/2266.html

Description of the book Ezra Pound's Cathay by Yip, W., published by Princeton University Press.


貓頭鷹出版社的
Ezra  Pound 翻譯本，錯誤相當多 (至少數十處)。
《龐德》 (Ezra Pound). 

Ezra Pound and his world: Peter Ackroyd  (1980)

《龐德》(Ezra Pound by Peter Ackroyd).作者, 彼得‧艾克洛德. , 貓頭鷹出版社，2001

The Pound Era

Front Cover
University of California Press, Sep 18, 1973 - Literary Criticism - 606 pages
3 Reviews

"It is notoriously difficult to recognize degrees of pre-eminence among one's near-contemporaries. We talk now of the age of Donne, a label that would have seemed bizarre to Ben Johnson. Will The Pound Era seem an appropriate designation, 50 or 100 years hence, for the epoch we think of as 'modern'? Mr. Kenner's brilliantly written book establishes an excellent case for supposing the answer to be 'Yes.'"—The Economist

"Mr. Kenner's study...is not so much a book as a library, or better, a new kind of book in which biography, history, and the analysis of literature are so harmoniously articulated that every page has a narrative sense....The Pound Era is a book to be read and reread and studied. For the student of modern letters it is a treasure, for the general reader it is one of the most interesting books he will ever pick up in a lifetime of reading."—National Review

Contents

Ghosts and Benedictions
3
SpaceCraft
23
Renaissance II
41
The Muse in Tatters
54
Motz el
76
The Invention of Language
94
Words Set Free
121
Knot and Vortex
145
Douglas
301
The Sacred Places
318
The Cantos i
349
O City City
382
Syntax in Rutherford
397
Specifics
407
The Cantos 2
414
The Anonymous
437
Transformations
163
Imagism
173
The Invention of China
192
The Persistent East
223
Vortex Lewis
232
The Stone
248
Privacies
263
Scatter
279
Mao or Presumption
291
Inventing Confucius
445
The Cage
460
The Last European
496
The Jersey Paideuma
506
The Last Vortex
518
Endings
537
NOTES
563
INDEX
593
Copyright








































Hugh Kenner (1923-2003) was one of America's great literary critics. He wrote on a range of subjects that includes Ezra Pound, James Joyce, Samuel Beckett, T. S. Eliot, and geodesic domes.


From Wikipedia, the free encyclopedia
The Pound Era
The Pound Era book cover.jpg
AuthorHugh Kenner
Publication date
1971
The Pound Era (ISBN 0520024273) is a book by Hugh Kenner, published in 1971. It is considered by many to be Kenner's masterpiece, and is generally seen as a seminal text on not only Ezra Pound but Modernism in general. As the title suggests, it places Ezra Pound at the center of the Modernist movement in literature and art during the early 20th century.
Kenner played an influential role in raising Ezra Pound's profile among critics and other readers of poetry. The Pound Era, the product of years of scholarship, was published in 1971. This work was responsible for enshrining Pound's reputation (damaged by his wartime activities) as one of the greatest Modernists.
Part biography, part intellectual history and part literary criticism, The Pound Era is a singular work, and one of the most important analyses of the Modernist period.

External links[edit]

  • Forgotten Books: The Pound Era [1]
  • Some of the best lines from The Pound Era [2]

The Paris Review
Daniel Swift travels to Ezra Pound’s castle residence and discovers a lost poem written on the back of an envelope:



On Finding a Lost Ezra Pound Poem in a Castle
Daniel Swift stumbled across a previously unpublished poem by Ezra Pound in the Schloss Brunnenburg, where Pound lived late in his life
THEPARISREVIEW.ORG



Everyman's Library
"In a Station of the Metro" by Ezra Pound (1885-1972)
The apparition of these faces in the crowd;
Petals on a wet, black bough.
*
Simple yet capable of great complexity, the haiku is a tightly structured verse form that has a remarkable power to distill the essence of a moment keenly perceived. For centuries confined to a small literary elite in Japan, the writing of haiku is now practiced all over the world by those who are fascinated by its combination of technical challenge, expressive means, and extreme concentration. This anthology brings together hundreds of haiku by the Japanese masters–Basho, Issa, Buson, Shiki–with superb examples from nineteenth- and twentieth-century writers. The pioneering translator R. H. Blyth believed that the spirit of haiku is present in all great poetry; inspired by him, the editor of this volume has included lines from such poets as Wordsworth, Keats, Tennyson, Thoreau, and Hopkins, presented here in haiku form. Following them are haiku and haiku-influenced poems of the twentieth century–from Ezra Pound’s “In a Station of the Metro” to William Carlos Williams’s “Prelude to Winter,” and from the irreverence of Jack Kerouac to the lyricism of Langston Hughes. The result is a collection as compact, dynamic, and scintillating as the form itself. READ more here: http://www.penguinrandomhouse.com/…/haiku-by-peter-washing…/



貓頭鷹出版社的
Ezra  Pound 翻譯本，錯誤相當多 (至少數十處)。
《龐德》 (Ezra Pound). 

Ezra Pound and his world: Peter Ackroyd  (1980)

《龐德》(Ezra Pound by Peter Ackroyd).作者, 彼得‧艾克洛德. , 貓頭鷹出版社，2001

作者及多產，是名作家
https://en.wikipedia.org/wiki/Peter_Ackroyd

Ezra Pound

封面
Thames and Hudson, 1987 - 127 頁
Presents the life and discusses the works of the controversial and influential American poet and critic.

關於作者 (1987)

Peter Ackroyd was born in London in 1949. He graduated from Cambridge University and was a Fellow at Yale (1971-1973). A critically acclaimed and versatile writer, Ackroyd began his career while at Yale, publishing two volumes of poetry. He continued writing poetry until he began delving into historical fiction with The Great Fire of London (1982). A constant theme in Ackroyd's work is the blending of past, present, and future, often paralleling the two in his biographies and novels. Much of Ackroyd's work explores the lives of celebrated authors such as Dickens, Milton, Eliot, Blake, and More. Ackroyd's approach is unusual, injecting imagined material into traditional biographies. In The Last Testament of Oscar Wilde (1983), his work takes on an autobiographical form in his account of Wilde's final years. He was widely praised for his believable imitation of Wilde's style. He was awarded the British Whitbread Award for biography in 1984 of T.S. Eliot, and the Whitbread Award for fiction in 1985 for his novel Hawksmoor. Ackroyd currently lives in London and publishes one or two books a year. He still considers poetry to be his first love, seeing his novels as an extension of earlier poetic work.

書目資訊

書名Ezra Pound
Literary lives
Thames and Hudson literary lives
作者Peter Ackroyd
版本圖解, 重印
出版者Thames and Hudson, 1980/1987
ISBN0500260257, 9780500260258
頁數127 頁

ttp://www.newyorker.com/magazine/2008/06/09/the-pound-error




THE POUND ERROR
The elusive master of allusion.

By Louis Menand


Ezra Pound in London, in 1918. T. S. Eliot called him “the better craftsman.”




PHOTOGRAPH BY HARRY RANSOM CENTER / UT-AUSTIN





Ezra Pound turns up five times in Peter Gay’s big survey of the modern movement in literature and the arts, “Modernism: The Lure of Heresy”—once in connection with T. S. Eliot’s “The Waste Land” (which Pound edited), once as the author of an anti-Semitic sentiment (one of many), and three times as the originator of the slogan “Make It New” (which suits the theme of Gay’s account). Pound’s poetry and criticism are not discussed; no reader of Gay’s book would have any idea of what his importance or influence as a writer might be. Gay’s is a commodious volume with a long reach, “From Baudelaire to Beckett and Beyond”; still, a handful of passing references seems a sharp decline in market value for a writer who was once the hero of a book called “The Pound Era.”...


Parts of “The Pisan Cantos” have been read as a recantation:


“Master thyself, then others shall thee beare”


Pull down thy vanity


Thou art a beaten dog beneath the hail,


A swollen magpie in a fitful sun,


Half black half white


Nor knowst’ou wing from tail


Pull down thy vanity


How mean thy hates


Fostered in falsity,


Pull down thy vanity,


Rathe to destroy, niggard in charity,


Pull down thy vanity,


I say pull down.


This may sound repentant, but it is not the poet speaking to himself in the second person. The lines are addressed to the American Army (“Half black half white”): the prisoner is raging against his captors. Pound laments, but he does not regret. “The Pisan Cantos” is a Fascist poem without apologies...























From Expatriate to Exile




Allan Massie reviews “Ezra Pound: Poet, Vol. 3: The Tragic Years 1939-1972” by A. David Moody.




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THE WALL STREET JOURNAL · 51 次分享





















Ezra Pound - The Cantos - Canto I




Ezra Pound's Cantos represent some of the highest achievement in 20th century poetry. While mapping the history of man, the Cantos begin with an episode of H...




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YOUTUBE.COM ·







Poet Ezra Pound won the inaugural Bollingen Prize on this day in 1949 for "The Pisan Cantos". David Moody has written of the "disruptive, regenerative force of his genius"







Ezra Pound is as divisive a figure today as he was in his own lifetime
Poet Ezra Pound won the Bollingen Prize on February 19th 1949
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