Both as a writer and as a moralist, E.M. Forster regarded the exploration of abstract forms and ideas as dubious, valuing messy humanity instead. Some regarded this as woolly thinking—a famous Cambridge critic, F.R. Leavis, believed his lectures were characterised by “intellectual nullity”. But the novelist—who died on June 7th 1970—was covertly sophisticated
Both as a writer and as a moralist, E.M. Forster regarded the exploration of abstract forms and ideas as dubious, valuing messy humanity instead. Some regarded this as woolly thinking—a famous Cambridge critic, F.R. Leavis, believed his lectures were characterised by “intellectual nullity”. But the novelist—who died on June 7th 1970—was covertly sophisticated
Everyman's Library
"I do like Christmas on the whole.... In its clumsy way, it does approach Peace and Goodwill. But it is clumsier every year."
~from "Howard's End" by E.M. Forster
~from "Howard's End" by E.M. Forster
First published in 1910, Howards End is the novel that earned E. M. Forster recognition as a major writer. At its heart lie two families—the wealthy and business-minded Wilcoxes and the cultured and idealistic Schlegels. When the beautiful and independent Helen Schlegel begins an impetuous affair with the ardent Paul Wilcox, a series of events is sparked—some very funny, some very tragic—that results in a dispute over who will inherit Howards End, the Wilcoxes' charming country home.
Howards End (1910) is an ambitious "condition-of-England" novel concerned with different groups within the Edwardian middle classes represented by the Schlegels (bohemian intellectuals), the Wilcoxes (thoughtless plutocrats) and the Basts (struggling lower-middle-class aspirants).
It is frequently observed that characters in Forster's novels die suddenly. This is true of Where Angels Fear to Tread, Howards End and, most particularly, The Longest Journey.
著名的小說就叫"Howard's End"(中文譯本叫做《綠苑春濃》,聯經,1992;
《此情可問天》,業強,1992),書名中的Howard是姓氏,End是宅第的名稱,通常位置在一條街道的盡頭, ...
Howards End英文原文
http://www.gutenberg.org/cache/epub/2891/pg2891.txt
end 角
電影情節已忘 One of the best Ismail Merchant/James Ivory films, this adaptation of E. M. Forster's classic 1910 novel shows in careful detail the injuriously rigid British class consciousness of the early 20th century. The film's catalyst is "poor relation" Margaret Schlegel (Emma Thompson), who inherits part of the estate of Ruth Wilcox (Vanessa Redgrave), an upper-class woman whom she had befriended. The film's principal characters are divided by caste: aristocratic industrial Henry Wilcox (Anthony Hopkins); middle-echelon Margaret and her sister Helen (Helena Bonham Carter); and working-class clerk Leonard Bast (Sam West) and his wife (Nicola Duffett). The personal and social conflicts among these characters ultimately result in tragedy for Bast and disgrace for Wilcox, but the film's wider theme remains the need, in the words of the novel's famous epigram, to "only connect" with other people, despite boundaries of gender, class, or petty grievance. Filmed on a proudly modest budget, Howards End offers sets, spectacles, and costumes as lavish as in any historical epic. Nominated for 9 Oscars, including Best Picture and Best Director, the film took home awards for Thompson as Best Actress, Ruth Prawer Jhabvala's adapted screenplay, and Luciana Arrighi's art direction. ~ Hal Erickson, Rovi