When the Nazi party was founded 95 years ago, naming Adolf Hitler as its chief of propaganda, the future chancellor cultivated a cult-like dedication to the cause through mass rallies and patriotic parades.
http://ti.me/1LyU5J9
http://ti.me/1LyU5J9
(Hugo Jaeger—The LIFE Picture Collection/Getty Images)
2004.11
Erich Fried (1921-1988), 這首所謂<入籍>(Einburgerung)
實為入越南籍之謂,詩成於越戰時期,所寫皆為越南當時景象
白手
紅發
藍眼
白石
紅血
藍唇
白骨
紅沙
藍天
這國度座落在七步
及一石之擲處
南部的一半
稱作民主
在首都"罪城"(1)
一佔領軍在讀《我的奮鬥》(2)
僧人是佛教徒
或天主教徒
和尚
常被稱為紅色
實際上他們是黃色的
但燒過之後便不是
儂族(3)說中國話
能叫沈默者開口
蔣介石早就會
法國佬也會
開了口的儂人
現在一天拿五塊美金
不是華盛頓給
而是大兵們自己掏口袋
紐約時報稱這種審訊是
東方式的詰問遊戲
被捕的黨人都受洗
都取名叫作P. L. (4)
肉有兩種方法
調製
以固化的汽油慢來(5)
或逕以液態的快制(6)
後者被稱作野蠻
前者則否
無論二者的那一個
都不必預先屠宰
這個國度易於到達
即使作大規模的考查
外國人的導遊
被稱作"惡夢"(7)
你穿越豬玀灣
去到妓院不需繞路
女子們都是小個頭
她們的棺材也都不重
死者焚化
同燒活人一樣
如果你閉眼
坐著不動
老遠就能看見
在那個國度上演的一切
(1)Sodom聖經所載罪惡之城,原在巴勒斯坦,已遭神毀。
(2)Mein Kampf《我的奮鬥》希特勒之自傳。
(3)Nung儂族,中國西南近越南邊界之少數民族。
(4)Patrice Lumumba,不知何所指,待考。【パトリス・ルムンバ 【Patrice E.Lumumba】. コンゴ(現ザイール)の政治家。民族運動を推進。 1960年獨立後、初代首相。コンゴ動亂中に殺害される。(1925-1961). (『息子よ未來は美しい』P ...】
(5)即Napalm。
(6)即普通汽油。
(7)即Ephialtes。
繁體字多只介紹〈 怎麼回事〉 ( What happens) , 讀起來好像西洋繞口令, 但言簡意賅,大有深意。 寫這首詩的, 乃是現代奧地利猶裔詩人艾立克‧ 福萊德( Erich Fried,
1921- 1988) , 他是近代文壇少有的「 不幸的勇者」。南方朔 翻譯成</發生了甚麼事?>(2003/07/02) 英文可參考:
http://www.ettoday.com/2003/07/02/1029-1476577.htm
What It Is
It is madness
says reason
It is what it is
says love
It is unhappiness
says caution
It is nothing but pain
says fear
It has no future
says insight
It is what it is
says love
It is ridiculous
says pride
It is foolish
says caution
It is impossible
says experience
It is what it is
says love.搶著站在巨人的肩上
-----
"By shrewd and constant application of propaganda, heaven can be presented to the people as hell and, vice versa, the wretchedest existence as a paradise," he wrote in "MeinKampf."
He was at work on "MeinKampf," begun in prison, but at the same time continued quietly at the task of rebuilding his shattered group and developing the foundations for his mass movement.
War Came as a Deliverance
Then came the war. It lifted Hitler from obscurity into a state of exaltation.
"To me those hours were like a deliverance," Hitler wrote of the outbreak of the war in "MeinKampf.""I am not ashamed to say that, overcome by a storm of enthusiasm, I fell on my knees and thanked Heaven from an overflowing heart."
Series of Broken Promises
Those who had hoped that success at home and extension of his power abroad would make him more circumspect and reluctant to pursue the program of conquest he had outlined for himself in "MeinKampf" and in his speeches had abandoned that hope when, in violation of his promise to respect the integrity of Czechoslovakia after Munich, he marched on Prague and reduced that nation to a German protectorate.
說到德國 我早上在書庫碰到一本書 Ibsen and Hitler
說 我的奮鬥 某章某節大抄人民公敵某幕某景 2012
課題 (待查)
可能胡適在駐美大使時 拿到 'Mein Kampf'卻讀不下去 又聽說原書德文也很差
In 1923, Hitler attempted an unsuccessful armed uprising in Munich and was imprisoned for nine months, during which time he dictated his book 'Mein Kampf' outlining his political ideology.
*德國爭論《我的奮鬥'Mein Kampf'》能否出版
一家英國出版社希望在德國出版希特勒《我的奮鬥》的摘錄版,
1923年11月11日開始,這名犯人因為「叛國罪」
煽動文字成為「暢銷書」
到1933年為止,一共售出了將近30萬本價格便宜的「大眾版」
拙劣的作品
數十年來,歷史學家對《我的奮鬥》給出了明確的定論:偏激,
有害的政治宣傳?
德國禁止出版《我的奮鬥》,這本書被視為敵視憲法的政治宣傳,
版權法的侷限
今年初開始,是否能夠出版《我的奮鬥》的問題再次產生爭議,
可是,一名作者死後70年,其作品的版權就會失效。這意味著,
用於科學研究的出版
有關這本書的學術整理工作其實早就在進行。
而關於是否應該在德國的書報亭裡出售該書摘要版的問題,
----2013.4
希特勒《我的奮鬥》在德國面臨解禁爭議二戰後取得希特勒著作《我的奮鬥》 版權的巴伐利亞州一直禁止該書重印。但此書的版權保護即將在20 15年底終結,德國正商討是否延長出版禁令。對社民黨聯邦議會議員利什卡(Burkhard Lischka)而言,事情非常明確。他認為,2015年12月 31日過後,若德國書店裡再次販賣希特勒著作《我的奮鬥》(Me in Kampf), 或右翼極端分子在德國各大城市的步行街分發這本書籍, 那便是對大屠殺受難者的冒犯。利什卡在接受德國之聲採訪時表示: 「必須通過一切法律途徑防止事情成真。我認為, 這個糟糕的作品應該永遠在歷史中灰飛煙滅。」因此, 他與其他黨內成員共同向聯邦政府提出疑問,2016年後將如何處 理這本希特勒著作。至今為止,德國巴伐利亞州是這本書的版權和發佈權所有者。 該聯邦州在二戰後取得了上述權利, 以防止書籍被重印以及國內外國家社會主義(納粹)思想的傳播。 在全歐洲境內,版權保護在作者死後的70年後便失效, 而希特勒的《我的奮鬥》版權將於2015年結束。 之後這本書將屬於「公共領域」, 意即它基本上可以由任何人重印和散播。取得以色列諒解德國政府謹慎答覆社民黨提出的疑問, 表示將釐清與出版禁令有關的法律問題, 而版權保護即將到期一事已經是德國和以色列政府討論的議題, 兩國間存在著「有效防止非人道思想傳播的共同利益」。巴伐利亞內政部長赫爾曼(Joachim Hermann)則說得更明確。 早在二月時他已就希特勒的著作表示過意見:「根據現有法律, 書籍文本中明顯具有煽動性特質。」 赫爾曼提出將對所有散播原始文本之人採取法律行動。律師兼媒體專家赫斯曼(Tim Hoesmann)表示,德國《刑法典》第130條提供了禁止《 我的奮鬥》出版的依據。就書籍內容看來, 赫斯曼認為對此書發出出版禁令是相當有可能的事。 在希特勒的著作中存在對個人和宗教團體清楚的誹謗。 但他也保守地指出,「法院是否會據此作出裁決,仍是不可預測的」 。屆時甚至可能出現不同的判決結果。禁令取決於出版形式在互聯網上已經存在許多希特勒著作的節錄,法律上難以採取行動。 除此之外,《我的奮鬥》 在多個國家的書店中都能夠不受任何限制的出售。 但對聯邦議會議員利什卡而言,這不能作為在德國出版此書的理由: 「那將會是一個致命的信號。我相信,德國基於歷史因素, 對此必須負起特殊的責任。」律師赫斯曼推測,是否將禁止此書出版,將取決於出版形式。「 在學術研究方面,人們對這本書抱有濃厚的興趣, 而一本加上註釋的《我的奮鬥》與缺少註釋的重印版本相比, 在評斷上肯定有所區別。」打破神話,歷史學家欲發表一份註釋版的《我的奮鬥》位於慕尼黑的當代歷史研究所(IZF)自2009年起便著手製作 《我的奮鬥》註釋版本,並且獲得巴伐利亞州的資助。 聯邦政府對這個項目的態度維持中立, 雖然該項目並非由政府主動發起,但或能「 以適當的形式對納粹獨裁統治進行深刻的歷史性評估。」社民黨人利什卡對於這項計劃表示質疑, 因為在法律上很難界定註釋內容的好與壞。「 若普遍允許發行註釋版本, 右翼極端分子可能會在加上我們不樂見的註解後重印此書。」慕尼黑的歷史學家正致力分析應為希特勒著作加上哪些註釋內容。 研究人員希望在《我的奮鬥》版權保護期滿的同時發表成果。 研究所發言人波爾米赫(Simone Paulmichl)澄清說,他們不會直接闡述希特勒的觀點。 所有的章節將依照思想史分類,並且暴露文本的矛盾之處。 波爾米赫認為當代歷史研究所正進行的項目是重要的教育工作:「 這本書越是被隱秘保護,在人們懷有疑問時, 它所帶來的後果將更強大。」律師赫斯曼也持相同觀點:「 我認為這是正確的一步。如果完全禁止這部書, 圍繞著它的神話將繼續滋長。」(德國之聲中文網2013/4/4 報導)
******
What George Orwell said about Hitler’s ‘Mein Kampf’******
As my colleague Anthony Faiola reported this week, Adolf Hitler's "Mein Kampf" is expected to be reissued in Germany for the first time since the end of World War II. Although widely available elsewhere in the world, the book — Hitler's testament and what's considered the founding text of Nazism — was never reprinted in postwar Germany.Its planned reissue in Germany, The Post notes, will come in the form of a 2,000-page academic tome that supplements Hitler's own text with sharp commentary and criticism. The new version offers "a useful way of communicating historical education and enlightenment," says one of the scholars behind the project. "A publication with the appropriate comments, exactly to prevent these traumatic events from ever happening again."There was a time, though, when "Mein Kampf" was not just the repugnant treatise of the 20th century's greatest villain. More than seven decades ago, Hitler and the message of Nazism had great traction, and it required clear-eyed thinkers to cut through its seductions.George Orwell's 1940 review of an English edition of the book is as important now as it would have been then. (You can read a digitized version of the piece, which appeared in the New English Weekly, here.) That's not because he's uniquely right about the threat of Hitler — at this point, World War II was already in full swing. But the celebrated British man of letters has a special lens into the dangers and allure of fascism.Orwell offers this withering assessment of Hitler's ambitions:What [Hitler] envisages, a hundred years hence, is a continuous state of 250 million Germans with plenty of “living room” (i.e. stretching to Afghanistan or thereabouts), a horrible brainless empire in which, essentially, nothing ever happens except the training of young men for war and the endless breeding of fresh cannon-fodder. How was it that he was able to put this monstrous vision across?
It's not sufficient to answer that last question just by looking at the political and economic forces that buoyed Hitler's rise, Orwell contends. Rather, one has to grapple with the inescapable fact that "there is something deeply appealing about him."Hitler, Orwell writes, "knows that human beings don’t only want comfort, safety, short working-hours, hygiene... they also, at least intermittently, want struggle and self-sacrifice, not to mention drums, flags and loyalty-parades."For good reason, the Atlantic's Graeme Wood quoted this same piece in his lengthy meditation on the worldview of the militants of the Islamic State. The militarist pageantry of fascism, and the sense of purpose it gives its adherents, echoes in the messianic call of the jihadists. Wood cites this passage in Orwell's review: "Whereas Socialism, and even capitalism in a more grudging way, have said to people 'I offer you a good time,' Hitler has said to them, 'I offer you struggle, danger, and death,' and as a result a whole nation flings itself at his feet."But, in my view, the most poignant section of Orwell's article dwells less on the underpinnings of Nazism and more on Hitler's dictatorial style. Orwell gazes at the portrait of Hitler published in the edition he's reviewing:It is a pathetic, dog-like face, the face of a man suffering under intolerable wrongs. In a rather more manly way it reproduces the expression of innumerable pictures of Christ crucified, and there is little doubt that that is how Hitler sees himself. The initial, personal cause of his grievance against the universe can only be guessed at; but at any rate the grievance is here. He is the martyr, the victim, Prometheus chained to the rock, the self-sacrificing hero who fights single-handed against impossible odds. If he were killing a mouse he would know how to make it seem like a dragon. One feels, as with Napoleon, that he is fighting against destiny, that he can’t win, and yet that he somehow deserves to.
Hitler projected this image — of a self-sacrificing hero, wounded by the universe — and went on to unleash horrors on the world. But the narcissism of a "martyr" and the penchant to make dragons out of mice, as Orwell puts it, can be found in demagogues of all political stripes. It's worth keeping these words in mind when watching the spectacle of our contemporary politics.
As my colleague Anthony Faiola reported this week, Adolf Hitler's "Mein Kampf" is expected to be reissued in Germany for the first time since the end of World War II. Although widely available elsewhere in the world, the book — Hitler's testament and what's considered the founding text of Nazism — was never reprinted in postwar Germany.
Its planned reissue in Germany, The Post notes, will come in the form of a 2,000-page academic tome that supplements Hitler's own text with sharp commentary and criticism. The new version offers "a useful way of communicating historical education and enlightenment," says one of the scholars behind the project. "A publication with the appropriate comments, exactly to prevent these traumatic events from ever happening again."
There was a time, though, when "Mein Kampf" was not just the repugnant treatise of the 20th century's greatest villain. More than seven decades ago, Hitler and the message of Nazism had great traction, and it required clear-eyed thinkers to cut through its seductions.
George Orwell's 1940 review of an English edition of the book is as important now as it would have been then. (You can read a digitized version of the piece, which appeared in the New English Weekly, here.) That's not because he's uniquely right about the threat of Hitler — at this point, World War II was already in full swing. But the celebrated British man of letters has a special lens into the dangers and allure of fascism.
Orwell offers this withering assessment of Hitler's ambitions:
What [Hitler] envisages, a hundred years hence, is a continuous state of 250 million Germans with plenty of “living room” (i.e. stretching to Afghanistan or thereabouts), a horrible brainless empire in which, essentially, nothing ever happens except the training of young men for war and the endless breeding of fresh cannon-fodder. How was it that he was able to put this monstrous vision across?
It's not sufficient to answer that last question just by looking at the political and economic forces that buoyed Hitler's rise, Orwell contends. Rather, one has to grapple with the inescapable fact that "there is something deeply appealing about him."
Hitler, Orwell writes, "knows that human beings don’t only want comfort, safety, short working-hours, hygiene... they also, at least intermittently, want struggle and self-sacrifice, not to mention drums, flags and loyalty-parades."
For good reason, the Atlantic's Graeme Wood quoted this same piece in his lengthy meditation on the worldview of the militants of the Islamic State. The militarist pageantry of fascism, and the sense of purpose it gives its adherents, echoes in the messianic call of the jihadists.
Wood cites this passage in Orwell's review: "Whereas Socialism, and even capitalism in a more grudging way, have said to people 'I offer you a good time,' Hitler has said to them, 'I offer you struggle, danger, and death,' and as a result a whole nation flings itself at his feet."
But, in my view, the most poignant section of Orwell's article dwells less on the underpinnings of Nazism and more on Hitler's dictatorial style. Orwell gazes at the portrait of Hitler published in the edition he's reviewing:
It is a pathetic, dog-like face, the face of a man suffering under intolerable wrongs. In a rather more manly way it reproduces the expression of innumerable pictures of Christ crucified, and there is little doubt that that is how Hitler sees himself. The initial, personal cause of his grievance against the universe can only be guessed at; but at any rate the grievance is here. He is the martyr, the victim, Prometheus chained to the rock, the self-sacrificing hero who fights single-handed against impossible odds. If he were killing a mouse he would know how to make it seem like a dragon. One feels, as with Napoleon, that he is fighting against destiny, that he can’t win, and yet that he somehow deserves to.
Hitler projected this image — of a self-sacrificing hero, wounded by the universe — and went on to unleash horrors on the world. But the narcissism of a "martyr" and the penchant to make dragons out of mice, as Orwell puts it, can be found in demagogues of all political stripes. It's worth keeping these words in mind when watching the spectacle of our contemporary politics.